Browsing by Subject "Marxism"
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Item Restricted An unclaimed legacy: Caudwell's Marxist Dialectics(1984) Browne, PaulItem Restricted Book Reviews; Time the Refreshing River by Joseph Needham(1989) Lahrent, JohnItem Restricted Does the end of totalitarianism signify the and of ideology?(1990) Katznelson, IraItem Open Access Estranging Adorno: the dialectics of alienation in Leonard Michaels's "I would have saved them if I could"(Penn State University Press, 2023-03-03) Coker, William NormanReflecting on his relatives’ deaths in the Shoah, Leonard Michaels lets their story unfold through a meditation on how not to tell it. He resists both the consolatory aestheticism he finds in Jorge Luis Borges and the teleological closure of Hegelian-Marxist history. Both modes press something positive out of Auschwitz’s absolute negativity. Yet Michaels finds he cannot do without Borges and Marx. As his standpoint emerges from theirs, light falls on what both tacitly teach: the necessity of alienation. Enabling a new reading of this key Marxian term, Michaels’s story complements and challenges the revisionary Marxism of Theodor W. Adorno. Adorno’s late works convey the awareness that a certain alienation inheres in subjectivity and that emancipation requires us to accept our own self-estrangement. In Michaels’s story, Borges and Marx appear as figures for the “nonidentity,” the internal contradiction, that every self must own in order to achieve an identity. By foregrounding the mismatch between narrative forms and their content, Michaels affirms narrative itself as “nonidentical.” Only through the alienation implicit to literature as self-conscious artifice, he finds, can one hope to grasp an experience in either its singularity or its universality.Item Restricted Faces of Marx(1975) Kolakowski, LeszekItem Restricted Human ecological and Marxian theories(1984) Hawley, Amos H.Item Restricted International Perspectives on Marxist Anthropology edited by Carolyn Fluehr-Lobban(1991) Ulin, Robert C.Item Restricted Marksçı eleştiri: Eleştiri ve türleri(1980) Bezirci, AsımItem Restricted Marx's contributions and their relevance today(1984) Gurley, John G.Item Restricted Marxism and Mao(1973) Gouldner, Alvin W.Item Restricted Marxism and secular faith(1985) Adneson, Richard J.Item Restricted Marxisms as Utopias: Evolving Ideologies(1986) Wallerstein, ImmanuelItem Restricted The construction of probability theory: A Marxist discussion(1983) Lad, FrankItem Restricted The Fourt World Part III(1969) Brooks, PeterItem Restricted The German historical school of law and the origins of historical materialism(1987) Levine, NormanItem Open Access Toplumcu gerçekçi Türk edebiyatında Suat Derviş'in yeri(2001) Günay, ÇimenSuat Derviş (1905-1972), one of the few women writers of the late Ottoman period, is a key figure in examining the conflictual phenomena of being a “woman” and a “Marxist” within the context of a predominantly traditional society. Having her first novel published at the age of sixteen, Derviş studied literature at the University of Berlin and worked as a reporter in Germany, until Hitler’s coming to power. Derviş’s life is dramatically affected by the rising of fascism in Europe and Turkey. Her becoming acquainted with Marxist ideas at the end of the 1930s, made Derviş write about the class conflicts both in her articles and novels. She published Yeni Edebiyat (1940-1941), a Marxist literary journal, with Reşat Fuat Baraner, the general secretary of Turkish Communist Party, who later became her fourth husband in 1941. This study focuses on the role of Suat Derviş in the “Socialist Realist” literature of Turkey. The tension Derviş experienced between feminism and Marxism is important for analyzing how feminism is received by the Turkish Left and also for appreciating the premises of feminism itself. The aim of this master thesis is to detect the epistemological and ideological breaking points in Derviş’s literary output and discuss the way she overcame the conflicts between socialist realism and Marxist aesthetics. In this study, three novels each representing a different period in Derviş’s novelistic career are taken into consideration and analyzed.