Browsing by Subject "Jean-Luc Nancy"

Now showing 1 - 2 of 2

Open Access
Architecture of sovereignty: Bosnian constitutional crisis, the Sarajevo Town Hall, and the Mêlée
(Springer Netherlands, 2016-04) Cirkovic, E.
This paper addresses the processes by which the international community intervened and participated in the defining of Bosnian identity and the corresponding constitutional framework, as well as the continuous paradoxical tension between the ethnic local and claims to universalism of supranational legal norms. In particular, the 1995 Constitution and the architecture of its sovereignty have been contested through provisions of the European Convention of Human Rights. The analysis is further supported by the discussion of the architectonic structure of the Town Hall/National Library in Sarajevo that has had an important constitutional role since the collapse of the Ottoman period. The paper thus focuses on two sites for construction/deconstruction of Bosnian sovereignty: the constitutional framework and the more concretely visible architectural symbol of the Town Hall/National Library. This importance of a visual and spatial approach to Bosnian realities is carried further by the 1993 ‘Eulogy’ that Jean-Luc Nancy wrote for Sarajevo, as a site of the Mêlée.
Open Access
Worlding in Georgi Gospodinov’s There, where we are not
(Springer, 2022-12-27) Harper, Mihaela P.
This article proposes that rather than a concern with safeguarding a national identity, Georgi Gospodinov’s poetry collection There, where we are not (2016) exposes the relationship of self and world as coextensive and mutually constitutive. His poems undertake the remaking of the world as they reconfigure the self with language at the heart of this undertaking—words and meanings in flux, at play in bringing forth selves through a plurality of multitemporal, decentered worlds. Heeding Pheng Cheah’s critique that the “world” in world literature discourse has received little attention, I take up Jean-Luc Nancy’s notion of the “singular plural” to illuminate and further the argument that Gospodinov’s collection worlds by juggling a multiplicity of specific geographic locations and attending to the plural singularity of a moment, of an event or rather of a non-event. In a section titled, The Sundays of the world, “there where we are not” becomes a plurality of worlds, singular and shared, uninhabited and teeming with life, worlds observed and observing, worlds that have familiar names—Berlin, Vienna, Ljubljana, Paris, Rome, Kraków, Sofia—and yet each makes up “a world crammed full of absences.” Ultimately, the collection neither recedes into the national nor dissipates into the global but seeks out a path in-between through which to world laterally, anew. © 2022, Akadémiai Kiadó, Budapest, Hungary.