Browsing by Subject "Imitation"

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    Learning by imitation
    (Elsevier BV, 1999) Başçı, E.
    This paper introduces a learning algorithm that allows for imitation in recursive dynamic games. The Kiyotaki-Wright model of money is a well-known example of such decision environments. In this context, learning by experience has been studied before. Here, we introduce imitation as an additional channel for learning. In numerical simulations, we observe that the presence of imitation either speeds up social convergence to the theoretical Markov-Nash equilibrium or leads every agent of the same type to the same mode of suboptimal behavior. We observe an increase in the probability of convergence to equilibrium, as the incentives for optimal play become more pronounced.
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    A model of boundedly rational learning in dynamic games
    (1997) Aksoy, Hakan
    There are various computer-based algorithms about boundedly rational players’ learning how to behave in dynamic games, including classifier systems, genetic algorithms and neural networks. Some examples of studies using boundedly rational players are Axelrod (1987), Miller (1989), Andreoni and Miller (1990) who use genetic algorithm and Marimon etal. (1990) and Arthur (1990) who use classifier systems. In this dissertation, a Two Armed Bandit Problem and the KiyotakiWright (1989) Economic Environment are constructed and the learning behaviour ol the boundedly rational players is observed by using classifier systems in computer programs. From the simulation results, we observe that experimentation and imitation enables faster convergence to the correct decision rules of players in both repeated static decision problems and dynamic games.
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    Yahya Kemal: Paris'ten gazel söyleyerek dönen şair
    (Ürün Yayınları, 2007) Arslan, Fahrettin
    This work aims at qualifying a widely held idea, namely that young Yahya Kemal Beyath's stay in Paris, from 1903 to 19012, had a great impact on his art. We argue that his stay had no other effect than reinforcing his previous view of the world. In order to defend that thesis, we will base our argument on his own words and writings, on the remarkable monograph of Ahmet Hamdi Tanpınar and the views of two researchers, Enis Batur and Hasan Bülent Kahraman. At the theoretical level, we will use the concept of aesthetics of reception of Hans-Georg Gadamer and particularly of Hans Robert Jauss.