Browsing by Subject "Heidegger"

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Open Access
Differential translation: A proposed strategy for translating polysemous language in German philosophy
(John Benjamins Publishing Company, 2017) Hawkins, S.
Translators of German philosophy into English must often choose whether to express concrete or abstract meanings for polysemous German keywords. This article discusses "differential translation," a widely underestimated strategy for representing polysemous words in translation. Disavowing both untranslata-bility and the necessity of terminological equivalence, this strategy integrates signs of polysemy into the reading experience by presenting foreign keywords in brackets after their differing, context-dependent meanings. The article discusses how translators have already responded and how they might respond even more constructively to passages where Edmund Husserl, Martin Heidegger, and Hans Blumenberg, respectively, choose words that link abstractions to images: by presenting existence as both foundational and ground-like (gründlich), time as both fluctuating and fluid (strömend), and common sense as both obvious and nearby (naheliegend). Encountering differentially translated texts would challenge future scholars to evaluate the unity of the concepts behind the words. © John Benjamins Publishing Company.
Open Access
The end of film theory and the task of film interpretation : a pathway to the philosophical turn
(2011) Aydınlı, Sinem
The aim of this study is to interrogate film interpretation in terms of Heideggerian thinking as a pathway for arguments in the history of film theory via the idea of “happening” in the art. For this reason, the “happening of truth” is considered in terms of its filmic implications. In addition to this, the poetic revealing as a mode of “happening of truth” is questioned via filmic experience by making an analogy with the idea of strife between the earth and the world. Thus, this study also investigates the experience of the audience with respect to its involvement in the film. By walking through this pathway, hermeneutic phenomenology as a method contributes to an understanding of the experience of the audience. In this respect, the idea of film interpretation refers not only to the audience’s dwelling in the film but also to its ontological experience, and so the ontological investigation is triggered via “happening” in the film.