Browsing by Subject "Ahmet Mithat Efendi"
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Item Open Access Ahmet Mithat Efendi romanlarında metinsel kararsızlık(Bilkent University, 2009) Aksoy Sheridan, Rukiye AslıhanBu tezde Ahmet Mithat Efendi’nin Felâtun Bey ile Râkım Efendi, Dürdâne Hanım, Taaffüf, Mesâil-i Muğlâka ve Jön Türk romanlarının incelenmesi sonucunda, söz konusu metinlerde, kadının toplumsal konumu, kölelik, ahlak, adalet, din ve toplumsal düzen bağlamlarında ortaya çıkan metinsel boşluk, çelişki ve “kararsızlık”lar açımlanmıştır. Bu amaçla, Gérard Genette’in çalışması uyarınca “anlatıcı” odaklı bir yaklaşım da gözetilerek ele alınan metinlerin, Pierre Macherey’in önerdiği üzere, “birincil sorular”la eşzamanlı olarak “ikincil sorular”a da tabi tutulması yoluyla barındırdıkları “metinsel kararsızlık” somutlanarak bu anlatılarda açığa çıkan ideolojik arka plan serimlenmiştir. Sonuçta, tezde, ele alınan metinlerdeki “anlatıcı”nın daha önceki Ahmet Mithat Efendi incelemelerinde varsayıldığı üzere baştan “tekil,” “egemen” ve “yazara ait” biçiminde yorumlanamayacağı ve Ahmet Mithat Efendi anlatılarında bu bağlamlarda ortaya çıkan ve şimdiye dek yapılan incelemelerde üzerinde hiç durulmamış olan “metinsel kararsızlık”ların, metinlerin ideolojik arka planında Tanzimat dönemini belirleyen etik ve epistemolojik çelişkiyi açığa vurduğu kanıtlanmıştır.Item Restricted Ahmet Mithat Efendi ve Ailesinin Cumhuriyet Dönemi yaşantısı(Bilkent University, 2019) Türkmen, Mehmet Kartal; Tiryaki, Atahan Yaşar; Soylu, Serkan Neşat; Palamut, Hüseyin Burak; Malkoçoğlu, DorukAhmet Mithat Efendi Türk Edebi Tarihi'ne önemli eserler katmış bir yazardır. Çocukluğundan itibaren zor günler geçiren Ahmet Mithat Efendi 'nin geçirdiği bu zor günler karakterinin ve kişiliğini şekillendirmiştir. Yaşadığı zorluklar ile kişiliği ve karakteri şekillenen Ahmet Mithat Efendi bu yapısını ailesine de yansıtmıştır. Ahmet Mithat Efendi tarafından etkilenen ailesi Cumhuriyet tarihi boyunca edebiyat dışındaki dallar ve sektörlerde çalışmalar gösterdi. Bazı aile fertleri Ahmet Mithat Efendi'nin maddi ve manevi mirasını sürdürürken ailesinin bazı fertleri ise kendi yollarını çizerek başka dallar ve sektörlerde çalışmışlardır. Bu çalışmada Ahmet Mithat Efendi'nin maddi ve manevi mirasının günümüzdeki durumu ele alınmıştır.Item Open Access Ahmet Mithat Efendi ve Beşir Fuat'a göre gerçekçilik(Bilkent University, 2004) Cankara, MuratMithat Efendi (1844-1912) and Beşir Fuat (1852-1887) by focusing on their articles and letters on the subject. It is usual to study the development of realism in Turkish literature by only taking the novels into account. However, articles are a valuable source of information in order to understand how realism was interpreted by Ottoman writers. The texts focused on in this thesis are the newspaper articles and letters of Ahmet Mithat Efendi and Beşir Fuat, who developed opposing views on realism. These articles and letters were mostly published during the 1880s and 1890s. Ahmet Mithat Efendi rejected realism both on aesthetic and non-aesthetic grounds. Yet, it has also been noted that he used the concept of “verisimilitude” and asserted that a novel should seem to be true even if it was imaginary. One other important aspect of Ahmet Mithat’s interpretation of realism is his effort to appropriate and adapt it to the Ottoman context. On the other hand, it has been indicated that Beşir Fuat’s approach to literary realism is just the opposite of Ahmet Mithat’s. Beşir Fuat, who criticizes romanticism, classical Ottoman poetry and the role of imagination in literature underlines the necessity that a writer should work like a historian or a sociologist. He is also against elaborate language and states that the primary aim of the literary language is to transmit ideas to the reader in a clear and exact way. It has been concluded that there is not only one interpretation of realism in Ottoman literature at the end of the nineteenth century. The fact that the writers of the period did not simply imitate their French contemporaries and tried to transform their conception of realism is also within the conclusions that have been reached.Item Open Access Ahmet Mithat Efendi'de mizahın toplumsal cinsiyeti(Bilkent University, 2014) Kekeç, NuranAhmet Mithat Efendi, one of the most prolific writers of the establishment phase of modern literature, depicts an age of political and social transformation, while also producing the first examples of novels and stories. In reflection of his social responsibility consciousness, this writer discusses in his texts the necessity of building a society according to neo-traditional forms, without departing from the principle of “useful information”. Acknowledging the advantages of popularization Ahmet Mithat Efendi takes advantage of opportunities provided by the media, in his production of series of novels and stories which depict his view of ideal social order and his conceptualization of modern identities for both men and women. Through such works, and by using media as a channel, he aims to be accessible to all sectors of society and share his views on ideal traditional-modern femininity – masculinity forms. In other words, while reproducing tradition according to Western criteria, his primary goal is to reorganize gender relations. Features of traditional narration function as a vehicle for the author, onto which he transposes the images of men and women who will lead society. Thus, Ahmet Mithat Efendi, aware of the limitations of his contemporary readership and of traditional forms of narrative, inserted his view of ideal gender roles into fictional texts. The writer employs humor for the purpose of combining his view of a new social order with gender identity in his literary texts. Humorous elements contribute both to constructing the text and to determining an ideal gender perception; people and phenomena, though depicted in humorous ways, display a social acceptance of gender roles. In this context, during the Tanzimat period the behavior of the Ottoman citizen and readers’ perceptions of gender identities are shaped according to Western norms Ahmet Mithat Efendi promotes such influences within his fictional works of and he uses humor as a tool to help convince his readership of his ideas.