Browsing by Author "Tutumlu, Reyhan"
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Item Open Access Anlatı bilimi açısından roman-sinema etkileşimi ve bir uygulama : Anayurt Oteli(2002) Tutumlu, ReyhanFrom the very beginning, the art of film making has been influenced by other forms of art, particularly literature. Many novels, stories and plays have been adapted for movies both in the world cinema and in the Turkish cinema. With the development of the art of cinema the relationship between cinema and literature has been transformed into one of mutual interaction. Particularly the New Novel movement that emerged in French literature in the 1950s, represents a peak point in the close encounter between the novel and the film. Yusuf Atılgan (1921-1989), a prominent figure in Turkish literature, wrote few but remarkable works. In his novels he focused on the problems of modern individuals such as lack of communication, solitude, alienation, and their psychological effects. Anayurt Oteli (Motherland Hotel), a novel woven by the modern techniques of narrative, is appropriate for visualisation as film. Moreover, the novel proves to be a good case of both how cinema influences the novel and how a novel is transformed into a film. The interaction between the novel and the film, how the novel approximates the cinematic narrative, and the way the novel is transformed into a film are among the topics covered in this thesis. In this thesis, the theoretical framework proposed by narratology was used in order to analyze the techniques of narrative, the order of narrative, the speed of the narrative, the iterative in narrative, focalization, alteration of narrators both in the novel and the film. In this effect, Narrative Discourse by Gérard Genette has been used as a key source. The subdivisions of the thesis (“Order”, “Duration”, “Frequency”, “Mood” and “Voice”) have been adapted from the same book. In this thesis it was concluded that Yusuf Atılgan’s novel Anayurt Oteli (Motherland Hotel), which was adapted for cinema by Ömer Kavur in 1986, is a novel which uses cinematic techniques.Item Open Access Vüs'at O Bener'in yapıtlarına anlatıbilimsel bir yaklaşım(2007) Tutumlu, ReyhanVüs’at O. Bener’s (1922-2005) literary career started with his short story “Dost” (The Friend) which he published in 1950. Later he published two novels, two plays, six story books, and also a book of poetry. In this study a narratological approach is adopted in order to analyze such formal aspects of the works as the narrators’ standpoints, the techniques of narration, and the use of time in the following works: Dost (1952, The Friend), Yaşamasız (1957, The Lifeless), Buzul Çağının Virüsü (1984, The Ice Age Virus), Bay Muannit Sahtegi’nin Notları (1991, The Notes of Mr. Muannit Sahtegi), Siyah-Beyaz (1993, Black and White), Mızıkalı Yürüyüş (1997, The March with a Band), Kara Tren (1998, The Steam Train), and Kapan (2001, The Trap). Bener’s works are interrelated and interreferantial. Often the same characters reappear in Bener’s different works and sometimes the same events are repeatedly narrated from new perspectives. That is why Bener’s works should be considered as a whole and the interconnections should be closely examined. When they are read from such a viewpoint it is understood that Bener’s works carry a profound imprint of his life. That is why one has to know the subtext on which his works are based. In this study, in addition to narratology, an author-based approach is used in order to analyze the relationship between Bener’s life and works, and also to examine the methods of his fiction writing. In this context, the criticisms regarding the genre of Bener’s works have been reconsidered and a new reading strategy is suggested.