Scholarly Publications - Communication and Design

Permanent URI for this collectionhttps://hdl.handle.net/11693/115581

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Browsing Scholarly Publications - Communication and Design by Author "Baykan, Burcu"

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    Becoming-animal in the narrative and the form of Reha Erdem’s Kosmos
    (CINEJ Cinema Journal, 2020) Keskin, Suphi; Baykan, Burcu
    This article performs a narrative and aesthetic analysis of Reha Erdem’s movie, Kosmos (2009), through an engagement with Gilles Deleuze and Félix Guattari’s philosophical concept of becoming-animal. Erdem narrativizes the story of an odd traveller dervish named Kosmos, who has supernatural abilities and an expanded capability of communication—one that displays liminal features between human and animal. Through his distinctive editing technique, particularly by juxtaposing human and animal faces, the director further deconstructs the conceptual boundaries between humanity and animality, revealing the inherent connectedness of the two. Hence, this article discloses the consistency between the narrative and the form of Kosmos through a close reading based upon the notion of becoming-animal and its conceptual constituents.
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    Respatialising the body: the ontologically in-between subject in Orlan’s body of work
    (Brill Academic Publishers, 2018) Baykan, Burcu; Prowse, N.
    This chapter explores the respatialisation of the embodied experience of space through the French multimedia and performance artist Orlan’s body and identity altering practices. By primarily focusing on the artist’s multifaceted surgery-performance series, The Reincarnation of Saint Orlan (1990-1993) and her subsequent series of digital self-portraits, Self-Hybridizations (1998-2007), this chapter traces the complex relationships between the human and the non-human domains that appear in her work, as well as the mutating, in-between bodily space that is configured within these meetings and crossovers. Thus, the main intent of this chapter is to engage with and explore these dynamic, unstable and transient states of being that Orlan’s work reflects; the metamorphic, in-between areas related to the understanding of self in ontological, philosophical and artistic sense. The investigation undertaken here for this purpose primarily draws on Deleuze and Guattari’s formulation of the body through their theory of becoming-other.