A kaleidoscope of Harold Pinter's plays

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buir.advisorÇalışkan, Hamit
dc.contributor.authorKurtuluş, Gül
dc.date.accessioned2016-01-08T20:10:15Z
dc.date.available2016-01-08T20:10:15Z
dc.date.issued1992
dc.departmentDepartment of English Language and Literatureen_US
dc.descriptionAnkara : Faculty of Letters and Institute of Economics and Social Sciences, Bilkent Univ., 1992.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1992.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractCritics have tried to approach Pinter’s plays from a variety of changing perspectives, which emerge as a result of the playwright’s inventiveness. Pinter who aims at and achieves perhaps the most original innovations in dramatic form best exemplifies the range and diversity of the contemporary English drama. In consequence, he has created a distinctive personal style. Any attempt to make an exhaustive study of Harold Pinter at this stage would be futile; selection was inevitable. This dissertation will concentrate on eight plays by the playwright under discussion to demonstrate the refinement and development of his technique which was unprecedented and therefore shocked everybody in 1960s but is highly appreciated now.en_US
dc.description.degreeM.A.en_US
dc.description.statementofresponsibilityKurtuluş, Gülen_US
dc.format.extentvi, 69 leavesen_US
dc.identifier.urihttp://hdl.handle.net/11693/17431
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subject.lccPR6066.I53 K8 1992en_US
dc.titleA kaleidoscope of Harold Pinter's playsen_US
dc.typeThesisen_US
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