Uses of the human body as the object of the artwork and its pictorial solutions

buir.advisorAkdeniz, Halil
dc.contributor.authorSağlam, Sefa
dc.date.accessioned2016-01-08T20:10:47Z
dc.date.available2016-01-08T20:10:47Z
dc.date.issued1993
dc.departmentDepartment of Fine Artsen_US
dc.descriptionAnkara : The Department of Fine Arts and the Institute of Fine Arts of Bilkent University, 1993.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1993.en_US
dc.descriptionIncludes bibliographical references leaves 62-64.en_US
dc.description.abstractThis thesis tries to discuss the conditions of the relationship between art work and its producer together with the question of ‘outside’ of the artwork. This declaration is to discuss and to think about the artwork after the experience of making the artwork. The thesis is stated in a manner which opens the possibilities to analyze the representing and non-representing approach of the producer/painter during the experiencing process of painting, the act of creating a body. The theoretical usages consist of the attempt to construct a new way of evaluating the human body as an artwork. This wbrk/act of painting developed in the isolated field of the proce.ss of artwork, therefore, tries to objectify the thoughts of the producer within her psycho- logical/physiological approach.en_US
dc.description.degreeM.F.A.en_US
dc.description.statementofresponsibilitySağlam, Sefaen_US
dc.format.extentx, 64 leaves, illustrationsen_US
dc.identifier.itemidBILKUTUPB014607
dc.identifier.urihttp://hdl.handle.net/11693/17491
dc.language.isoEnglishen_US
dc.publisherBilkent Universityen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectBodyen_US
dc.subjectProcess paintingen_US
dc.subjectRepresentationen_US
dc.subject.lccN7570 .S34 1993en_US
dc.subject.lcshHuman figure in art.en_US
dc.titleUses of the human body as the object of the artwork and its pictorial solutionsen_US
dc.typeThesisen_US
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