From feminine writing to feminine painting
buir.advisor | Djikia, Alexander | |
dc.contributor.author | Tokdemir, Itır | |
dc.date.accessioned | 2016-07-01T11:08:39Z | |
dc.date.available | 2016-07-01T11:08:39Z | |
dc.date.issued | 2006 | |
dc.department | Department of Graphic Design | en_US |
dc.description | Cataloged from PDF version of article. | en_US |
dc.description.abstract | This thesis derives form Hélène Cixous’ conception of “l’écriture féminine”. Using this concept, art works created by Marina Abramovic and Tracey Emin were analyzed. In relation to the concept of “l’écriture féminine”, an attempt at “la péinture feminine” is proposed. Under the concept of “la péinture feminine” art works were created. | en_US |
dc.description.degree | M.F.A. | en_US |
dc.description.statementofresponsibility | Tokdemir, Itır | en_US |
dc.format.extent | viii, 71 leaves, illustrations | en_US |
dc.identifier.itemid | BILKUTUPB099857 | |
dc.identifier.uri | http://hdl.handle.net/11693/29911 | |
dc.language.iso | English | en_US |
dc.publisher | Bilkent University | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Feminine writing | en_US |
dc.subject | Sexual difference | en_US |
dc.subject | Phallogocentric language | en_US |
dc.subject | Body | en_US |
dc.subject.lcc | ND1460.W65 T65 2006 | en_US |
dc.subject.lcsh | Women in art. | en_US |
dc.title | From feminine writing to feminine painting | en_US |
dc.type | Thesis | en_US |
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