Maturity and immaturity are the hallmarks of Witold Gombrowicz’s literary texts. They were introduced in his first novel, Ferdydurke, and an early collection of short stories, Memoirs from a Time of Immaturity, and continued to play a central role in his fiction and nonfiction works, including the Diary, A Kind of Testament, and the penultimate novel, Pornografia. Although Gombrowicz has been widely regarded as a staunch critic of maturity and defender of immature spontaneity, playfulness, and formlessness, this view is largely based on his earlier writings. Later works offer a more complex image of Gombrowicz. Pornografia, in particular, no longer pits immaturity against maturity with the goal of discrediting the latter through humor and irony. Instead, it experiments with the possibility of a new relationship between the two, a relationship which would ameliorate the discontents that often come with aging.