Yahya Kemal: Paris'ten gazel söyleyerek dönen şair
Author(s)
Date
2007Source Title
Frankofoni
Print ISSN
1016-4537
Publisher
Ürün Yayınları
Issue
19
Pages
189 - 200
Language
Turkish
Type
ArticleItem Usage Stats
86
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25
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Abstract
This work aims at qualifying a widely held idea, namely that young Yahya Kemal Beyath's stay in Paris, from 1903 to 19012, had a great impact on his art. We argue that his stay had no other effect than reinforcing his previous view of the world. In order to defend that thesis, we will base our argument on his own words and writings, on the remarkable monograph of Ahmet Hamdi Tanpınar and the views of two researchers, Enis Batur and Hasan Bülent Kahraman. At the theoretical level, we will use the concept of aesthetics of reception of Hans-Georg Gadamer and particularly of Hans Robert Jauss.
Keywords
Horizon of expectationAesthetics of reception
Imitation
Forma mentis
Enis Batur
Hasan Bülent Kahraman
Ahmet Hamdi Tanpınar