dc.contributor.advisor | Karpat, Colleen Bevin Kennedy | |
dc.contributor.author | Özyurt, Deniz | |
dc.date.accessioned | 2019-09-30T10:34:00Z | |
dc.date.available | 2019-09-30T10:34:00Z | |
dc.date.copyright | 2019-08 | |
dc.date.issued | 2019-08 | |
dc.date.submitted | 2019-09-27 | |
dc.identifier.uri | http://hdl.handle.net/11693/52513 | |
dc.description | Cataloged from PDF version of article. | en_US |
dc.description | Thesis (M.S.): Bilkent University, Department of Communication and Design, İhsan Doğramacı Bilkent University, 2019. | en_US |
dc.description | Includes bibliographical references (leaves 90-94). | en_US |
dc.description.abstract | Film scores in certain contemporary films which narrate stories from different time
periods display intriguing patterns in how they evoke distinct emotions and how they
underscore the film’s temporal and spatial configurations. This thesis investigates the
role of the film score in Paul Thomas Anderson’s recent four feature films such as
There Will Be Blood (2007), The Master (2012), Inherent Vice (2014), and Phantom
Thread (2017). By adopting Svetlana Boym’s (2001) framework of nostalgia, this
thesis aims to reveal how the film score accentuates the dialogue between historically
significant individual and/or collective components of the time period depicted, and
focuses on differences and similarities in evoking the past through the accompaniment
of film score. Furthermore, since the original scores of these films have been
composed by Jonny Greenwood, this study also adopts an auteurist approach towards
the issue in order to reveal recurring patterns from the collaboration between the director
and composer. | en_US |
dc.description.statementofresponsibility | by Deniz Özyurt | en_US |
dc.format.extent | ix, 94 leaves : illustrations (some color) ; 30 cm. | en_US |
dc.language.iso | English | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Film score | en_US |
dc.subject | Jonny Greenwood | en_US |
dc.subject | Nostalgia | en_US |
dc.subject | Paul Thomas Anderson | en_US |
dc.title | Film score and contemporary nostalgia: on the collaboration between Paul Thomas Anderson and Jonny Greenwood | en_US |
dc.title.alternative | Film müziği ve çağdaş nostalji: Paul Thomas Anderson ve Jonny Greenwood işbirliği üzerine | en_US |
dc.type | Thesis | en_US |
dc.department | Department of Communication and Design | en_US |
dc.publisher | Bilkent University | en_US |
dc.description.degree | M.A. | en_US |
dc.identifier.itemid | B122750 | |