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dc.contributor.authorYüksel, Ayşe Helinen_US
dc.contributor.authorÇatak, İlgazen_US
dc.contributor.authorKarademir, İrmaken_US
dc.contributor.authorAvcı, Sare Nuren_US
dc.contributor.authorTütüncü, Zekiyeen_US
dc.date.accessioned2019-05-23T17:48:27Z
dc.date.available2019-05-23T17:48:27Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/11693/51711
dc.descriptionAnkara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2018.en_US
dc.descriptionThis work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.en_US
dc.descriptionThe History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.en_US
dc.descriptionIncludes bibliographical references (pages 16-17).en_US
dc.description.abstractCengiz Ergun Türk sineması için önemli bir film yapımcısıdır. Pek çok farklı türde filmin yapımcılığını üstlenen Ergun, 1980’li yıllarda vizyona giren kadın temalı filmleri ile dikkat çekmiştir. Adı Vasfiye (1985), Aaahh Belinda (1986), ve Kadının Adı Yok (1987) gibi kadın temalı filmler kadını cinselliğin objesi olmaktan çıkarıp öznesi haline getirmeleri ve kadının toplumdaki yerini hem gözler önüne seren hem de eleştiren bakış açılarıyla dönemin diğer filmlerinden ve günümüz sinemasından farklıdırlar.en_US
dc.description.abstractCengiz Ergun is a major film producer for the cinema of Turkey. Ergun, who produced many different genres of movies, compelled attention with his woman themed movies debuted in 1980’s. The women themed movies such as Adı Vasfiye (1985), Aaahh Belinda (1986), ve Kadının Adı Yok (1987) are different from both their contemporaries and recent movies with regards to their perspective that transforms the woman from the object of sex into the subject of sex and not only reveals the position of woman in society but also criticises it.en_US
dc.description.statementofresponsibilityby İbrahim Mert Öztürk.en_US
dc.format.extent23 pages.
dc.language.isoTurkishen_US
dc.relation.ispartofseriesİbrahim Mert Öztürk, HIST 200-7 (2017-2018 Spring) ; 7en_US
dc.subjectHistory of Turkeyen_US
dc.subjectTürkiye Tarihien_US
dc.subject.lccÖZTÜRK HIST 200-7/7 2017-18en_US
dc.titleYapımcı Cengiz Ergün'ün hayatı ve fimleri ile 1980'li yıllarda Türk sinemasında kadın algısı
dc.typeStudent Project
dc.publisherBilkent Universityen_US
dc.identifier.itemidSPB2766


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