This essay can be seen as an attempt to foreground a new approach to representation with an outcome of a new concept, “whatever image.” This is undertaken by going through Benjamin’s handling of image via Leibniz in the prologoue of “German Tragic Drama” where he problematizes epistomolgy’s claim to truth by introducing his idea of constellations and thus opens up the question of a rigid, bounded image of the world to an immanence; Adorno’s theories in “Negative Dialectics”, concerning the image as the third term, as a screen, between subject and object, by way of which he introduces the question of “the resurrection of flesh” as far as the perception of the world in the form of images is concerned; and Giorgio Agamben’s concept of “whatever” in “The Coming Community” by means of which I attempt to introduce a “whateverness” to the concept of image which aims to open the question of image to “experience through flesh.”