Melancholy and hüzün in orhan pamuk's Istanbul
| dc.contributor.author | Helvacioglu B. | en_US |
| dc.date.accessioned | 2018-04-12T13:43:20Z | |
| dc.date.available | 2018-04-12T13:43:20Z | |
| dc.date.issued | 2013 | en_US |
| dc.identifier.issn | 0027-1276 | |
| dc.identifier.uri | http://hdl.handle.net/11693/38034 | |
| dc.description.abstract | This essay examines melancholy/hüzün in three overlapping contexts: as a historical condition of modernity, in aesthetic production, and as a cultural condition. In Pamuk's writing, melancholizing becomes a creative deviceto explore European and Islamic influences on historical and aesthetic connotations of hüzün that the city holds in its essence. | en_US |
| dc.language.iso | English | en_US |
| dc.source.title | Mosaic | en_US |
| dc.title | Melancholy and hüzün in orhan pamuk's Istanbul | en_US |
| dc.type | Review | en_US |
| dc.department | Department of Political Science | |
| dc.citation.spage | 163 | en_US |
| dc.citation.epage | 178 | en_US |
| dc.citation.volumeNumber | 46 | en_US |
| dc.citation.issueNumber | 2 | en_US |
