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dc.contributor.advisorDjikia, Alexanderen_US
dc.contributor.authorÖzmenoğlu, Ardanen_US
dc.date.accessioned2016-07-01T11:05:02Z
dc.date.available2016-07-01T11:05:02Z
dc.date.issued2006
dc.identifier.urihttp://hdl.handle.net/11693/29783
dc.descriptionCataloged from PDF version of article.en_US
dc.description.abstractThe aim of this study is to explore the possibilities of how the surface of the background affects the foreground, which is the image of my face. When viewing an image produced by the printmaking process it can be seen that while surface is a part of the image, reciprocally, the image becomes a part of the surface. The projects I have conceived and implemented were based on exploring this phenomenon of the reciprocal interaction of image and canvas. The invisible support of the surface becomes visible. The reading of the art works is as background to the study, such as concepts of face, as in the face does not belong to the body, and surface as in the oscillation between beneath and above. Finally, I will discuss my screen prints in terms of techniques and especially, of the aforementioned concepts of Face and Surface.en_US
dc.description.statementofresponsibilityÖzmenoğlu, Ardanen_US
dc.format.extentxii, 81 leaves, illustrationsen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectScreen-printingen_US
dc.subjectFaceen_US
dc.subjectSurfaceen_US
dc.subject.lccNE2236 .O96 2006en_US
dc.subject.lcshSerigraphy.en_US
dc.titleLooking through the printmaking : site specific screenprinten_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US
dc.identifier.itemidBILKUTUPB098726


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