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dc.contributor.advisorSarıkartal, Zekiye
dc.contributor.authorGürelli, Kutlu
dc.date.accessioned2016-07-01T10:59:54Z
dc.date.available2016-07-01T10:59:54Z
dc.date.issued2004
dc.identifier.urihttp://hdl.handle.net/11693/29455
dc.descriptionCataloged from PDF version of article.en_US
dc.description.abstractIn this research study, documentation’s role in contemporary art described and exemplified according to its relation to the institutional practices of classifying, defining and displaying artworks. Issues and problems, which appear at the artworks relationship with the art institutions have been questioned and interpreted by the guidance of art critics like Walter Benjamin, Boris Groys, Douglas Crimp, Michael Fried and Jean-François Lyotard. Differences between attitudes of artists that have been using institutional representation techniques at their artworks studied and exemplified. As the thesis exhibition of this study an installation work has been proposed to the Fine Arts Institute.en_US
dc.description.statementofresponsibilityGürelli, Kutluen_US
dc.format.extentx, 110 leaves, illustrations, 30 cmen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectDocumentationen_US
dc.subjectinstitutional displayen_US
dc.subjectauraen_US
dc.subject.lccN3998 .G87 2004en_US
dc.subject.lcshArt Documentation.en_US
dc.titleThe role of documentation in contemporary art : issues of institutional practiceen_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US
dc.identifier.itemidBILKUTUPB080936


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