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dc.contributor.authorÇetIn, B.en_US
dc.date.accessioned2016-02-08T10:01:32Z
dc.date.available2016-02-08T10:01:32Z
dc.date.issued2009en_US
dc.identifier.issn13003984
dc.identifier.urihttp://hdl.handle.net/11693/22546
dc.description.abstractThis article, based on Gérard Genette's concept of "hypertextualité", examines the intertextual relation between Tunç Başaran's film Uzun İnce Bir Yol (1991) and Dede Korkut's story "Duha Koca oǧlu Deli Dumrul", and explicates the formal and thematic transpositions between these two texts. Başaran, starting from the story of Deli Dumrul, has composed a new narrative in which time, place, characters' features and the plotting has differentiated, and with this transposition, has transferred the modern people's perception of death to movie screen. In film, death has been expressed as a fact which the persons try to escape from and to kill, not as a fate whose reality has already been accepted as is the case in the story of Deli Dumrul.en_US
dc.language.isoEnglish; Turkishen_US
dc.source.titleMilli Folkloren_US
dc.subjectDede Korkuten_US
dc.subjectDeli Dumrulen_US
dc.subjectIntertextualityen_US
dc.subjectUzun Ince Bir Yolen_US
dc.titleModern people's attempt to kill death: Uzun ince bir yolen_US
dc.title.alternativeModern insanin "ölümü öldürme" çabasi: Uzun ince bir yolen_US
dc.typeArticleen_US
dc.departmentDepartment of Turkish Literature
dc.citation.spage48en_US
dc.citation.epage53en_US
dc.citation.volumeNumber11en_US
dc.citation.issueNumber83en_US


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