dc.contributor.advisor | Mutman, Mahmut | |
dc.contributor.author | Sevimli, Önder | |
dc.date.accessioned | 2016-01-08T20:17:59Z | |
dc.date.available | 2016-01-08T20:17:59Z | |
dc.date.issued | 2004 | |
dc.identifier.uri | http://hdl.handle.net/11693/18293 | |
dc.description | Ankara : The Department of Graphic Design and the Institute of Fine Arts of Bilkent Univ., 2004. | en_US |
dc.description | Thesis (Master's) -- Bilkent University, 2004. | en_US |
dc.description | Includes bibliographical references leaves 125-131. | en_US |
dc.description.abstract | This study is the culmination of a speculative attempt to understand and restate the
enigma of photography. It aims to supplement the thought of photography with a host of
concepts that seem to have escaped the scope of the theoretical critique of photography
and photographs. In doing so, it follows the lead of the ‘logic’ of the grapheme and of
the event of history to review the position of photography in relation to the language of
the logic of being, and investigates whether the time of photography can be held in
opposition to ‘real time.’ Consequently, the contexts in which contemporary thought on
photography restrict the identity of photography are problematized, and the peculiarities
involved in the interaction between photographs and viewers are emphasized in this
study. | en_US |
dc.description.statementofresponsibility | Sevimli, Önder | en_US |
dc.format.extent | vii, 131 leaves | en_US |
dc.language.iso | English | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Photography | en_US |
dc.subject | Roland Barthes | en_US |
dc.subject | History | en_US |
dc.subject | Iterability | en_US |
dc.subject | Recognition | en_US |
dc.subject | Specter | en_US |
dc.subject | Real | en_US |
dc.subject | Writing | en_US |
dc.subject.lcc | TR183 .S48 2004 | en_US |
dc.subject.lcsh | Photography--Philosophy. | en_US |
dc.subject.lcsh | Photography--Aesthetics. | en_US |
dc.subject.lcsh | Photography--Artistics. | en_US |
dc.title | A review of the "ontology" of photography | en_US |
dc.type | Thesis | en_US |
dc.department | Department of Graphic Design | en_US |
dc.publisher | Bilkent University | en_US |
dc.description.degree | M.F.A. | en_US |