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dc.contributor.advisorMutman, Mahmuten_US
dc.contributor.authorGöktan, Zeynep Zerenen_US
dc.date.accessioned2016-01-08T20:16:33Z
dc.date.available2016-01-08T20:16:33Z
dc.date.issued1999
dc.identifier.urihttp://hdl.handle.net/11693/18134
dc.descriptionAnkara : Department of Fine Arts and Institute of Economics and Social Sciences, Bilkent Univ., 1999.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1999.en_US
dc.descriptionIncludes bibliographical references leaves 55.en_US
dc.description.abstractIn this study an aspect of “ephemerality” in contemporaiy art is analyzed. In this respect, while Land Art and Installation art are underlined in relation to a variety of concepts, like site-specificity, process, and evanescence, the notions of fragility, penetrability, and process are highlighted through the works of artists who may be said to take ephemerality in connection to their identity. Then, after noting ephemerality as the main framework, these concepts are traced in relation to my works.en_US
dc.description.statementofresponsibilityGöktan, Zeynep Zerenen_US
dc.format.extentix, 55 leaves [36 leaves of plates], illustrationsen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectEphemeralityen_US
dc.subjectProcessen_US
dc.subjectSite-specificityen_US
dc.subjectEvanescenceen_US
dc.subjectFragilityen_US
dc.subjectPenetrabilityen_US
dc.subjectLand Arten_US
dc.subjectInstallation Arten_US
dc.subjectIdentity of the Artistsen_US
dc.subject.lccN6494.I56 G65 1999en_US
dc.subject.lcshInstallations (Art).en_US
dc.subject.lcshArt, Modern 20th century.en_US
dc.titleEphemerality in contemporary arten_US
dc.typeThesisen_US
dc.departmentDepartment of Fine Artsen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US


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