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dc.contributor.advisorErdoğan, Nezihen_US
dc.contributor.authorGürata, Ahmeten_US
dc.date.accessioned2016-01-08T20:14:07Z
dc.date.available2016-01-08T20:14:07Z
dc.date.issued1997
dc.identifier.urihttp://hdl.handle.net/11693/17866
dc.descriptionAnkara : Department of Graphic Design and Institute of Fine Arts, Bilkent Univ., 1997.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1997.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractThis study aims at analyzing filmic space in Turkish melodrama films that were influential between 1960-1975. In order to map the theoretical framework for such a study, different^ approaches to filmic space are reviewed and discussed. Among these approaches, some focus on the formal aspects of filmic space, regarding mise-en-scene, editing and sound. On the other hand, another group of researchers deal with the cultural and ideological preferences influencing representation of space. In the thesis, the Turkish melodrama is evaluated in terms of both approaches.en_US
dc.description.statementofresponsibilityGürata, Ahmeten_US
dc.format.extent95 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectFilmen_US
dc.subjectMelodramaen_US
dc.subjectRepresentationen_US
dc.subjectSpaceen_US
dc.subject.lccPN1993.5.T8 G87 1997en_US
dc.subject.lcshMotion pictures--Turkey--History.en_US
dc.subject.lcshSpace and time in motion pictures.en_US
dc.titleFilmic space in Turkish melodramaen_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US


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