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dc.contributor.advisorErdoğan, Nezih
dc.contributor.authorArslan, Savaş
dc.date.accessioned2016-01-08T20:14:06Z
dc.date.available2016-01-08T20:14:06Z
dc.date.issued1997
dc.identifier.urihttp://hdl.handle.net/11693/17865
dc.descriptionAnkara : The Department of Graphic Design and The Institute of Economics and Social Sciences of Bilkent University, 1997.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1997.en_US
dc.descriptionIncludes bibliographical references.en_US
dc.description.abstractIn this study a particular aspect of melodramas (namely, party scenes) in the heyday of the Turkish cinema, especially between the early 1960s and the mid-1970s, is analyzed. In this respect, the visual representation of the party scenes in a variety of films is taken into consideration with the social context of Turkey on the basis of an antagonism between the center and the periphery. In addition, a formal analysis of the party scenes in the films paves the way to comment on the visual representation of the party youth. Then, this study, in the last instance, aims at deploying the representation of the party youth in Yeşilgam melodramas in relation to the project of Westernization.en_US
dc.description.statementofresponsibilityArslan, Savaşen_US
dc.format.extentvii, 94 leaves, illustrationsen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectTurkish Cinemaen_US
dc.subjectVisual Representationen_US
dc.subjectParty Scenesen_US
dc.subjectMelodramaen_US
dc.subject.lccPN1993.5.T8 A78 1997en_US
dc.subject.lcshMotion pictures--Turkey--History.en_US
dc.subject.lcshMelodrama in motion pictures.en_US
dc.titleCenter vs periphery : visual representation of the party scenes in Yeşilçam melodramasen_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.F.A.en_US


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