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dc.contributor.advisorMutman, Mahmuten_US
dc.contributor.authorAnafarta, Orhanen_US
dc.date.accessioned2016-01-08T20:13:11Z
dc.date.available2016-01-08T20:13:11Z
dc.date.issued1996
dc.identifier.urihttp://hdl.handle.net/11693/17758
dc.descriptionAnkara : Bilkent University, Department of Graphic Design and Institute of Fine Arts, 1996.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1996.en_US
dc.descriptionIncludes bibliographical references leaves 122-124en_US
dc.description.abstractThis study aims at constructing an 'overall theoretical outline' that would structure the existing approaches to graphic perception within a comprehensible whole. In this context, two dominant theoretical paradigms, namely 'projective' and 'constructivist' arguments of pictorial perception are analysed in a comparative manner. Due to the fact that different theorists adopt these two arguments in varying degrees, 4 distinct approaches to pictorial perception are analysed extending within two extremes. The comparison is based on the phenomenon of pictorial space as a significant feature of graphic imagery.en_US
dc.description.statementofresponsibilityAnafarta, Orhanen_US
dc.format.extentx, 124 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectVisual Perceptionen_US
dc.subjectPictorial Spaceen_US
dc.subjectPsychologyen_US
dc.subject.lccND1475 .A52 1996en_US
dc.subject.lcshComposition (Art).en_US
dc.subject.lcshSpace (Art).en_US
dc.subject.lcshPainting--Technique.en_US
dc.subject.lcshVisual perception.en_US
dc.titlePictorial space: a comparative account of projective versus constructivist theories of graphic perceptionen_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US
dc.identifier.itemidBILKUTUPB034108


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