dc.contributor.advisor | Özgüç, Bülent | |
dc.contributor.author | Güney, Tolga | |
dc.date.accessioned | 2016-01-08T20:12:56Z | |
dc.date.available | 2016-01-08T20:12:56Z | |
dc.date.issued | 1996 | |
dc.identifier.uri | http://hdl.handle.net/11693/17733 | |
dc.description | Ankara : Department of Graphic Design and Institute of Fine Arts, Bilkent Univ., 1996. | en_US |
dc.description | Thesis (Master's) -- Bilkent University, 1996. | en_US |
dc.description | Includes bibliographical refences. | en_US |
dc.description.abstract | This thesis attempts to understand changing conceptions of realism in
entertainment cinema by the emergence of digital special effects as an
implication of new modes of production in contemporary Hollywood
cinema. It focuses on the reflexive, intertextual, and hyperreal
characteristics of contemporary Hollywood films. It also includes a brief
overview of technological history of special effects in Hollywood
cinema | en_US |
dc.description.statementofresponsibility | Güney, Tolga | en_US |
dc.format.extent | 133 leaves | en_US |
dc.language.iso | English | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Special Effects | en_US |
dc.subject | Digital Special Effects | en_US |
dc.subject | Classical Hollywood
Cinema | en_US |
dc.subject | The New Hollywood Cinema | en_US |
dc.subject.lcc | TR858 .G86 1996 | en_US |
dc.subject.lcsh | Cinematography Special effects. | en_US |
dc.title | Cinematic realism and digital special effects in Hollywood cinema | en_US |
dc.type | Thesis | en_US |
dc.department | Department of Graphic Design | en_US |
dc.publisher | Bilkent University | en_US |
dc.description.degree | M.F.A. | en_US |