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dc.contributor.advisorÖzgüç, Bülent
dc.contributor.authorGüney, Tolga
dc.date.accessioned2016-01-08T20:12:56Z
dc.date.available2016-01-08T20:12:56Z
dc.date.issued1996
dc.identifier.urihttp://hdl.handle.net/11693/17733
dc.descriptionAnkara : Department of Graphic Design and Institute of Fine Arts, Bilkent Univ., 1996.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1996.en_US
dc.descriptionIncludes bibliographical refences.en_US
dc.description.abstractThis thesis attempts to understand changing conceptions of realism in entertainment cinema by the emergence of digital special effects as an implication of new modes of production in contemporary Hollywood cinema. It focuses on the reflexive, intertextual, and hyperreal characteristics of contemporary Hollywood films. It also includes a brief overview of technological history of special effects in Hollywood cinemaen_US
dc.description.statementofresponsibilityGüney, Tolgaen_US
dc.format.extent133 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectSpecial Effectsen_US
dc.subjectDigital Special Effectsen_US
dc.subjectClassical Hollywood Cinemaen_US
dc.subjectThe New Hollywood Cinemaen_US
dc.subject.lccTR858 .G86 1996en_US
dc.subject.lcshCinematography Special effects.en_US
dc.titleCinematic realism and digital special effects in Hollywood cinemaen_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.F.A.en_US


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