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dc.contributor.advisorGilligan, Daviden_US
dc.contributor.authorBayol, Ebruen_US
dc.date.accessioned2016-01-08T20:11:13Z
dc.date.available2016-01-08T20:11:13Z
dc.date.issued1994
dc.identifier.urihttp://hdl.handle.net/11693/17543
dc.descriptionAnkara : Faculty of Letters and Institute of Economics and Social Sciences, Bilkent Univ., 1994.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1994.en_US
dc.descriptionIncludes bibliographical refences.en_US
dc.description.abstractThe aim of this dissertation is to focus on three of Alan Ayckbourn's recent plays, namely Woman in Mind, A Small Business and Henceforward in order to analyse how Ayckbourn employs visual elements and how he creates comedy while he writes about such themes as the destruction of marriage and its effects on children,the inseparable nature of private and public and the absence of standards.en_US
dc.description.statementofresponsibilityBayol, Ebruen_US
dc.format.extentvi, 40 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subject.lccPR6051.Y35 B39 1994en_US
dc.subject.lcshAyckbourn, Alan 1939- --Criticism and Interpretation.en_US
dc.titleAlan Ayckbourn's theatricality and use of comedy in Woman in Mind, A Small Family Business and Henceforward: marriage, family, private-public and absence of standardsen_US
dc.typeThesisen_US
dc.departmentFaculty of Humanities and Lettersen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US


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