dc.contributor.advisor | Tezcan, Nuran | |
dc.contributor.author | Durgunay, Banu | |
dc.date.accessioned | 2016-01-08T20:07:16Z | |
dc.date.available | 2016-01-08T20:07:16Z | |
dc.date.issued | 2013 | |
dc.identifier.uri | http://hdl.handle.net/11693/17125 | |
dc.description | Ankara : Türk Edebiyatı Bölümü, İhsan Doğramacı Bilkent Üniv., 2013. | en_US |
dc.description | Thesis (Master's) -- Bilkent University, 2013. | en_US |
dc.description | Includes bibliographical references. | en_US |
dc.description.abstract | Sakinames, recounting bazms, are perhaps the best example of realistic classical
Ottoman poetry. Research on sakinames, however, is mosty limited to the
development and classification of the genre or to an analysis of sakinames by a
single poet. A comparative analysis of sakinames produced in different centuries
which encapsulate realist narrations of the era, thus shedding light on contemporary
life, will enable an examination of variable and unvariable aspects of the context and
the genre. Drawing from this perspective, this research embarks on a comparative
analysis of Revânî’s İşretnâme from the 16th century, Atâyî’s ‘Âlemnümâ’ from the
17th century and finally Aynî’s Sâkînâme from the 19th century. The aim is to reveal
the realism in sakinames by comparing the masnavis with their contemporaries.
Focusing on the narrations of the bazms, the author will elucidate how the
intellectual environment was preserved and even sustained throughout centuries.
When defining the genre, sakiname, it is posited that the sakiname originated either
from Islamic mysticism or worldly concerns. Research drawing on this classification
neglects their worldly characteristics and approaches sakinames from purely a
Sufistic perspective. More often than not, information on the poet’s life is considered
as supporting evidence for a sufistic perspective of the masnavi. While it is necessary
to examine sufistic associations in the sakinames, the realist narrations of the bazm
should also be considered. This study draws on the Halil İnalcık’s assertion that
religion and sufism in upper class culture coexist with the old Persian tradition. As
can be observed in Revânî’s and Atâyî’s masnavis, the intensity of sufistic
associations in bazm imageries in sakinames increase when fundamentalism
dominates social life. Aynî’s Sâkînâme holds a special place in this study. Aynî
organizes his work in such a way that the sufistic and worldly aspects of his narration
are separated. The first chapter of Sâkînâme, examines the intellectual work while
the second studies the environment where they were created. | en_US |
dc.description.statementofresponsibility | Durgunay, Banu | en_US |
dc.format.extent | ix, 154 leaves | en_US |
dc.language.iso | English | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | sakiname | en_US |
dc.subject | bazm | en_US |
dc.subject | sufism | en_US |
dc.subject | realistic texts | en_US |
dc.subject.lcc | PL210.O54 D87 2013 | en_US |
dc.subject.lcsh | Turkish literature--History and criticism. | en_US |
dc.subject.lcsh | Odes for cupbearer in literature. | en_US |
dc.subject.lcsh | Odes in literature. | en_US |
dc.title | Seküler hayatla tasavvuf arasındaki ilişkide köprü metinler : sâkînâmeler | en_US |
dc.type | Thesis | en_US |
dc.department | Department of Turkish Literature | en_US |
dc.publisher | Bilkent University | en_US |
dc.description.degree | M.S. | en_US |