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dc.contributor.advisorMutman, Mahmut
dc.contributor.authorEken, Bulent
dc.date.accessioned2016-01-08T20:04:30Z
dc.date.available2016-01-08T20:04:30Z
dc.date.issued1999
dc.identifier.urihttp://hdl.handle.net/11693/16974
dc.descriptionAnkara : The Department of Graphic Design and Institute of Fine Arts of Bilkent University, 1999.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 1999.en_US
dc.descriptionIncludes bibliographical references leaves 81-84.en_US
dc.description.abstractIn this work the influential contemporary French philosopher Gilles Deleuze' s aesthetic theory has been analysed with regard to its philosophical origins. Baruch Spinoza, whose influence is felt in the whole of Deleuze' s ouevre, proves to be the basic figure of his approach to art as well. Gilles Deleuze sets out to formulate a vitalist theory of art, the scope of which requires that the categories of judgement and reception be displaced. This scope situates artistic activity in a generalised creativity, where reception and judgement find their places as points of break and tension which could still be examined within the system of creation.en_US
dc.description.statementofresponsibilityEken, Bulenten_US
dc.format.extentvi, 84 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectAffecten_US
dc.subjectSpinozaen_US
dc.subjectdebten_US
dc.subjectjudgement,en_US
dc.subjectregimes of singsen_US
dc.subjectreceptionen_US
dc.subject.lccB2430.D452 E34 1999en_US
dc.subject.lcshPhilosophy.en_US
dc.subject.lcshAesthetics.en_US
dc.titleGilles Deleuze's philosophy of art : the cruelty of affecten_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US


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