Show simple item record

dc.contributor.advisorHalman, Talâten_US
dc.contributor.authorDik, Tubaen_US
dc.date.accessioned2016-01-08T20:02:25Z
dc.date.available2016-01-08T20:02:25Z
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/11693/16887
dc.descriptionAnkara : Türk Edebiyatı Bölümü, İhsan Doğramacı Bilkent Üniversitesi, 2012.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2012.en_US
dc.descriptionIncludes bibliographical references leaves 85-88.en_US
dc.description.abstractLeyla Erbil, in addition to her handling the social and political facts in her literal work, has a unique place in Turkish literature because of her expression techniques. Nezihe Muhiddin, on the other hand, has reflected the problems of her own era to her works; critized the institution of slavery and concubinage. The facts that both Leyla Erbil and Nezihe Muhiddin adapt the sociological aspects of the life to literary texts, and they focus on woman issues make them significant to consider in this work. The aim of this paper is to make comparisons of these two writers who both examine the social events. This comperative work aims to evaluate/explain the problems occured due to the social statue of women, and how these problems are concluded; thus how these conclusions are reflected on literature. Considering the social statue of women; Nietzche's technical term "ressentiment", for which he uses to explain the slavery ethics, will be highlighted in the paper. In the first chapter, some background the information is presented about the identity of writers and their works which are examined in this paper. The works studied are Benliğim Benimdir!(I Am The Master!), Güzellik Kraliçesi(Beauty Queen), Sus Kalbim Sus(Hush Now Hush) which are written by Nezihe Muhiddin, and Leyla Erbil's Tuhaf Bir Kadın(A Strange Woman), Karanlığın Günü(The Day of Darkness), Üç Başlı Ejderha(Three Headed Dragon), Mektup Aşkları(Love in Letters), Cüce(The Dwarf) and Kalan (Remains). After the second chapter, titled as "The Notions that can be Associated with Modernism" which includes the explanation of the "ressentiment and triangular desire" , the modernisation process in Turkey is historically examined in the third chapter, titled as " The Critical view on Turkish Modernisation Project." A new perspective is brought by means of hegemonical menhood and gender. The emergence of ressentiment and the transformation of ressentiment in women's modernization process are examined and explained with the examples from the chosen works, in the last chapter titled as " The Ressentiment of Women on Literal Level".en_US
dc.description.statementofresponsibilityDik, Tubaen_US
dc.format.extentiv, 88 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectressentimenten_US
dc.subjecttriangular desireen_US
dc.subjectmodernisationen_US
dc.subjectwomen authorsen_US
dc.subject.lccPL223 .D55 2012en_US
dc.subject.lcshTurkish fiction--History and criticism.en_US
dc.subject.lcshTurkish literature--History and criticism.en_US
dc.subject.lcshWomen in literature.en_US
dc.subject.lcshFemininity (Psychology) in literature.en_US
dc.subject.lcshSex role in literature.en_US
dc.subject.lcshWomen authors, Turkish.en_US
dc.titleTanzimat'tan Cumhuriyet'e Ressentiment'in dönüşümü : Nezihe Muhddin ve Leylâ Erbilen_US
dc.typeThesisen_US
dc.departmentDepartment of Turkish Literatureen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record