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dc.contributor.advisorErdoğan, Nezih
dc.contributor.authorPazarbaşı, Ece
dc.date.accessioned2016-01-08T18:16:21Z
dc.date.available2016-01-08T18:16:21Z
dc.date.issued2001
dc.identifier.urihttp://hdl.handle.net/11693/15296
dc.descriptionAnkara : The Department of Graphic Design and the Institute of Fine Arts of Bilkent University, 2001.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2001.en_US
dc.descriptionIncludes bibliographical references leaves 131-138.en_US
dc.description.abstractThis study aims at investigating the representation on ‘paranoia’ in the films, 12 Monkeys (1995), Brazil (1985), The Adventures of Baron Munchausen (1989), and Fear and Loathing in Las Vegas (1998), by Terry Gilliam. The paranoid state in the films come into being both in the digesis and in the journey from Terry Gilliam’s vision to the audience. Hence, the movement of paranoia within and out the elements of cinema are taken into consideration.en_US
dc.description.statementofresponsibilityPazarbaşı, Eceen_US
dc.format.extent138 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectParanoiaen_US
dc.subjectsurveillanceen_US
dc.subjecthallucinationen_US
dc.subject.lccPN1998.3.G55 P39 2001en_US
dc.subject.lcshMotion picture producers and directors.en_US
dc.subject.lcshMotion pictures--Plots, themes.en_US
dc.titleAn approach of mistrust : the representation of 'paranoia' in the films of Terry Gilliamen_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US


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