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dc.contributor.advisorMutman, Mahmut
dc.contributor.authorErtem, Fulya
dc.date.accessioned2016-01-08T18:14:25Z
dc.date.available2016-01-08T18:14:25Z
dc.date.issued2001
dc.identifier.urihttp://hdl.handle.net/11693/15163
dc.descriptionAnkara : The Department of Graphic Design and the Insitute of Fine Arts of Bilkent University, 20001.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2001.en_US
dc.descriptionIncludes bibliographical references leaves 69-72.en_US
dc.description.abstractThis study aims at giving an account of composition in visual arts by basing itself on the notion of uncanny. In that respect the works of three different surrealist artists, Max Ernst, Giorgio De Chirico, and Joan Miro, will be analysed in terms of their compositional uncanniness, by taking into consideration writers who analysed the uncanniness of these artists’ works. As an addition to those writers’ ideas, the aim of this thesis will be to find some new aspects of compositional uncanny in order to challenge the traditional account of composition in visual arts, as a source of visual resolution into unity.en_US
dc.description.statementofresponsibilityErtem, Fulyaen_US
dc.format.extentx, 72 leaves, illustrationsen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectCompositionen_US
dc.subjectuncannyen_US
dc.subjectperceptionen_US
dc.subjectmemoryen_US
dc.subjectspaceen_US
dc.subjectrepresentationen_US
dc.subjectloss of unityen_US
dc.subjectsurrealismen_US
dc.subject.lccN7430.5 .E78 2001en_US
dc.subject.lcshComposition (Art).en_US
dc.subject.lcshVisual perception.en_US
dc.titleComposition and the uncanny : a methodological account of composition in visual artsen_US
dc.typeThesisen_US
dc.departmentDepartment of Graphic Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US


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