dc.contributor.advisor | Gürata, Ahmet | |
dc.contributor.author | Kamiloğlu, Ozan | |
dc.date.accessioned | 2016-01-08T18:13:04Z | |
dc.date.available | 2016-01-08T18:13:04Z | |
dc.date.issued | 2011 | |
dc.identifier.uri | http://hdl.handle.net/11693/15089 | |
dc.description | Ankara : The Department of Communication and Design and the Institute of Economics and Social Sciences of İhsan Doğramacı Bilkent University, 2011. | en_US |
dc.description | Thesis (Master's) -- Bilkent University, 2011. | en_US |
dc.description | Includes bibliographical references leaves 91-95. | en_US |
dc.description.abstract | French philosopher Jacques Rancière has worked on wide range of topics including
democracy, literature, the visual arts, particularly film. After translation of his works to
English, he found a wide audience and academic interest. His works are based on
mostly a new understanding of equality, which gives him chance to approach both
politics and aesthetics from similar point of views. This thesis aims at gaining an insight
the relation between political and aesthetic theory of Rancière and to understand
reflections of his notion of the ethical turn, on cinema. The ethical turn points a certain
aspect of the changes in politics and aesthetics after the fall of the Soviets. This thesis
aims to investigate this new ethics in cinema that emerged after the ethical turn. With
this aim, the thesis scans the theories of politics and aesthetics and their relation with
the ethical turn in different works of Rancière and searches for the interdependent
changes in politics and aesthetics after the ethical turn. This analysis permits a new
reading of Alfonso Cuarón's Children of Men (2006).The reading of Children of Men
alongside of an analysis of reflections of the ethical turn in cinema, opens a room for
catching the motives of the ethical turn in the world order after the ethical turn | en_US |
dc.description.statementofresponsibility | Kamiloğlu, Ozan | en_US |
dc.format.extent | ix, 96 leaves, illustrations | en_US |
dc.language.iso | English | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | The Ethical Turn | en_US |
dc.subject | Politics | en_US |
dc.subject | Aesthetics | en_US |
dc.subject | Jacques Rancière | en_US |
dc.subject | Children of Men | en_US |
dc.subject.lcc | PN1995 .K35 2011 | en_US |
dc.subject.lcsh | Motion pictures--Philosophy. | en_US |
dc.subject.lcsh | Aesthetics--Political aspects. | en_US |
dc.subject.lcsh | Political science--Philosophy. | en_US |
dc.title | The ethical turn and cinema : politics and aesthetics of Jacques Rancière | en_US |
dc.type | Thesis | en_US |
dc.department | Department of Communication and Design | en_US |
dc.publisher | Bilkent University | en_US |
dc.description.degree | M.S. | en_US |
dc.identifier.itemid | B128597 | |