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dc.contributor.advisorTreske, Andreas
dc.contributor.authorDoğan, Zeynep
dc.date.accessioned2016-01-08T18:08:06Z
dc.date.available2016-01-08T18:08:06Z
dc.date.issued2008
dc.identifier.urihttp://hdl.handle.net/11693/14793
dc.descriptionAnkara : The Department of Communication and Design and the Institute of Economics and Social Sciences of Bilkent University, 2008.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2008.en_US
dc.descriptionIncludes bibliographical references leaves 100-107.en_US
dc.description.abstractThis study aims to demonstrate the specific narrative and representational aspects of two very-well known adaptations based on English author E. M. Forster‘s novels: A Passage to India and A Room with a View that challenge and reinterpret the motives of their source texts in conjunction with the issues and debates regarding the heritage film by displaying woman’s sexuality.en_US
dc.description.statementofresponsibilityDoğan, Zeynepen_US
dc.format.extentix, 107 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectAdaptationen_US
dc.subjectHeritage cinemaen_US
dc.subjectGenderen_US
dc.subjectSexualityen_US
dc.subject.lccPR6011.O58 D64 2008en_US
dc.subject.lcshFilm adaptations--History and criticism.en_US
dc.subject.lcshMotion pictures and literature--History and criticism.en_US
dc.subject.lcshWomen in motion pictures.en_US
dc.subject.lcshSex role in motion pictures.en_US
dc.titleA passage to screen : adapting E M Forsteren_US
dc.typeThesisen_US
dc.departmentDepartment of Communication and Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US
dc.identifier.itemidBILKUTUPB110135


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