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dc.contributor.advisorTreske, Andreas
dc.contributor.authorÖnen, Ufuk
dc.date.accessioned2016-01-08T18:05:26Z
dc.date.available2016-01-08T18:05:26Z
dc.date.issued2008
dc.identifier.urihttp://hdl.handle.net/11693/14698
dc.descriptionAnkara : The Department of Communication and Design and the Institute of Economics and Social Sciences of Bilkent University, 2008.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2008.en_US
dc.descriptionIncludes bibliographical references leaves 98-101.en_US
dc.description.abstractThis study is an attempt to explore the offscreen cinematic space in terms of sound with a special focus on voice, and to analyze the disembodied voices in cinema, in light of the theoretical framework of Michel Chion and his concepts of offscreen space and acousmêtre.en_US
dc.description.statementofresponsibilityÖnen, Ufuken_US
dc.format.extentix, 101 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectAcousmêtreen_US
dc.subjectDisembodied voiceen_US
dc.subjectOffscreen sounden_US
dc.subjectAcousmatic sounden_US
dc.subjectCinemaen_US
dc.subject.lccPN1995 .O54 2008en_US
dc.subject.lcshChion, Michel, 1947-en_US
dc.subject.lcshVoice in motion pictures.en_US
dc.subject.lcshVoice-overs.en_US
dc.titleAcousmetre : the disembodied voice in cinemaen_US
dc.typeThesisen_US
dc.departmentDepartment of Communication and Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US
dc.identifier.itemidBILKUTUPB109230


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