Show simple item record

dc.contributor.advisorTreske, Andreas
dc.contributor.authorLöker, Koray
dc.date.accessioned2016-01-08T18:05:22Z
dc.date.available2016-01-08T18:05:22Z
dc.date.issued2008
dc.identifier.urihttp://hdl.handle.net/11693/14696
dc.descriptionAnkara : The Department of Communication and Design and the Institute of Economics and Social Sciences of Bilkent University, 2008.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2008.en_US
dc.descriptionIncludes bibliographical references leaves 74-80.en_US
dc.description.abstractThis thesis is a critical analysis of self-proclaimed open source movie projects, Elephants Dream and The Digital Tipping Point. The theoretical framework derived from the new media discourse on film making, mainly based on Lev Manovich's database narrative and spatial montage theories among a detailed reading on database narrative with theoretical works and publications by Marsha Kinder, Allan Cameron, and Ed Folsom.en_US
dc.description.statementofresponsibilityLöker, Korayen_US
dc.format.extentx, 87 leavesen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectFree softwareen_US
dc.subjectOpen sourceen_US
dc.subjectCopyleften_US
dc.subjectDatabase narrativeen_US
dc.subjectSpatial montageen_US
dc.subjectElephants dreamen_US
dc.subject.lccPN1995.9.P7 L65 2008en_US
dc.subject.lcshMotion pictures--Production and direction.en_US
dc.subject.lcshTechnology in motion pictures.en_US
dc.titleRevolution of open source and film making towards open film makingen_US
dc.typeThesisen_US
dc.departmentDepartment of Communication and Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US
dc.identifier.itemidBILKUTUPB109240


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record