Revolution of open source and film making towards open film making
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Please cite this item using this persistent URLhttp://hdl.handle.net/11693/14696
This thesis is a critical analysis of self-proclaimed open source movie projects, Elephants Dream and The Digital Tipping Point. The theoretical framework derived from the new media discourse on film making, mainly based on Lev Manovich's database narrative and spatial montage theories among a detailed reading on database narrative with theoretical works and publications by Marsha Kinder, Allan Cameron, and Ed Folsom.