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dc.contributor.advisorMutman, Mahmut
dc.contributor.authorSevin, Ayda
dc.date.accessioned2016-01-08T18:03:07Z
dc.date.available2016-01-08T18:03:07Z
dc.date.issued2007
dc.identifier.urihttp://hdl.handle.net/11693/14620
dc.descriptionAnkara : The Department of Communication and Design and the Institute of Fine Arts of Bilkent University, 2007.en_US
dc.descriptionThesis (Master's) -- Bilkent University, 2007.en_US
dc.descriptionIncludes bibliographical references leaves 100-104.en_US
dc.description.abstractThis thesis is an analysis of the graphic novel and its film adaptation V for Vendetta in terms of the concepts of framing and deframing. The theoretical framework is mainly derived from the reflections of Pascal Bonitzer, Gilles Deleuze, and Jacques Derrida. It is contended in this study that both the graphic novel and the film V for Vendetta are culturally deframing texts in different ways, and that they trigger the audiences’ already present reactions towards certain political frames and framings. As a result, it is argued and exemplified that both of the texts have become one single text, perceived as a “symbol of resistance” throughout the world.en_US
dc.description.statementofresponsibilitySevin, Aydaen_US
dc.format.extentx, 104 leaves, illustrationsen_US
dc.language.isoEnglishen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectFramingen_US
dc.subjectDeframingen_US
dc.subjectOff-screenen_US
dc.subjectPoliticsen_US
dc.subjectAestheticsen_US
dc.subjectGraphic novelen_US
dc.subjectFilmen_US
dc.subject.lccPN6790.G74 V46 2007en_US
dc.subject.lcshV for Vendetta.en_US
dc.subject.lcshComic books, strips, etc.--Great Britain.en_US
dc.subject.lcshGraphic novels--Great Britain.en_US
dc.subject.lcshAesthetics.en_US
dc.titleMargins of the image : framing and deframing in the graphic novel and the film V for Vendettaen_US
dc.typeThesisen_US
dc.departmentDepartment of Communication and Designen_US
dc.publisherBilkent Universityen_US
dc.description.degreeM.S.en_US
dc.identifier.itemidBILKUTUPB104099


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