Browsing by Subject "love"
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Item Restricted Gönül ve düşünce adamı: Fethi Gemuhluoğlu(Bilkent University, 2020) Şabudak, Ahmet Kerem; Gemuhluoğlu, Fethi Alican; Mutlu, Muhammed Fatih; Şanlı, Utku; Acuner, MertFethi Gemuhluoğlu 1950-1970 yılları arasında Türkiye'de önemli bir birleştirici güç ve fikir adamı olarak ortaya çıktı. Bu çalışmada Fethi Gemuhluoğlu'nun çocukluğu ve yetiştiği çevre, üniversite hayatı ve yazılarından bahsedildi. Gemuhluoğlu'nun Türkiye'de görev aldığı kurumlar ve etkilediği insanların Türkiye'ye etkisi tartışıldı. Kendisi çok göz önünde bulunmayı istemediği için Türkiye'ye sunduğu ilim, hizmet ve etkilere ışık tutulmaya çalışıldı.Item Open Access Halit Ziya Uşaklıgil'in romanlarında aşk ve nesne ilişkileri(Bilkent University, 2002) Arslanoğlu, Arsev AyşenLove and Object Relations in the Novels of Halit Ziya Uşaklıgil Love has been one of the most common themes in world literature at all times. The long-lasting effect of love on an individual’s life stems from its deep-rooted significance for the psyche. In this M.A. thesis the themes of love and self-sacrifice in the novels of Halit Ziya Uşaklıgil (1865-1945) are examined in depth through the methods of psychoanalytic criticism. Many Turkish critics consider Halit Ziya Uşaklıgil to be the first Turkish novelist on account of the maturity and psychological depth of his writings when this genre was newly developing. Uşaklıgil, who wrote in almost every genre of literature, usually deals with unrequited or unhappy love affairs, which often end in tragic loss, suicide or other forms of disaster. The author’s propensity for the tragic turns his novels into rich embodiments of textual material for psychoanalytically-based literary investigations. In this study, the concept of libido first developed by Sigmund Freud, and various analytical concepts in the realm of object relations theory first developed by Melanie Klein will be employed as key terms of analysis. Although the views of these theorists differ in certain respects, their approach to the individual’s psychosexual development and the problems faced in the process of love may be considered complementary. In view of these and other theorists’ analysis of love, we conclude that love is a process of transformation in which “the other” becomes part of the ego together with all of its psychological consequences. In the ego’s search for bliss, the sense of security that the prospect of the unification of the ego with the other presents, turns the beloved into the ultimate object. However, the ego structures of the lovers determine whether the outcome of the relationship will be happy or not. Hence, when the beloved becomes the sole reason for one’s existence—as in the novels of Halit Ziya Uşaklıgil— relinquishing all other object representations and threatening the independence of ego structures, love turns unavoidably into tragedy. In this thesis, Aşk-ı Memnu (Forbidden Love, 1900) and Mai ve Siyah (Blue and Black, 1897), two masterpieces of Uşaklıgil as well as of Turkish literature, are studied in depth in terms of love and object relations. Both novels present various characters who are dragged into tragedy because of the very constitution of their psyche. The study also investigates the patterns of love in the earlier novels of the author in order to compare these novels with the said masterpieces and verify the findings.Item Open Access Heves-name'de aşk oyunu : Taci-Zade Cafer Çelebi'nin özgünlük ideali(Bilkent University, 2003) Atay, HakanTâcî-zâde Cafer Çelebi, the later “nişancı” of Bayezid II, fourty years after the conquest of Istanbul by Ottomans, wrote a mesnevi called Heves-nâme (The Book of Zeal). In his mesnevi, he posed a direct criticism of Ottoman literature’s canonical poets, like Şeyhî and Ahmed Paşa to stress a specific type of “originality”. His peculiar notion of “originality” leads to an ideal, or a project of composing a mesnevi which consists of different narrative pieces that are put together by a sense of coherence. These pieces are three in number. One of them is an iconic depiction of Istanbul’s main places and buildings in the 15th century, and has an interesting connection to the further flourishing genre, that is “şehrengiz”. The second narrative part is distinguished by the scientifically motivated discourse which can be seen in “Acâibü’l-Mahlukat” genre, that is in the popular books of a very general kind of cosmological knowledge. And the last is a certain kind of dictionary which depicts the parts of the beloved’s beauty. Cafer Çelebi’s mesnevi is a product of this ideal of originality, which we can name as “the eclectic wholeness”. Çelebi, in order to place his ideal in a firm basis uses the concepts of “hakikî” (real) and “mecazî” (metaphorical) love, both of which are nothing but parts of a more general discourse of universal and mundane love. The game of love is literal and legal byproduct of this discourse.Item Open Access İlhan Berk şiirinde nesne sorunu(Bilkent University, 2002) Akgün, AliThe poetics of İlhan Berk (b. 1918), one of the most creative Turkish poets, depends on continuous change. Every poem is a new start for Berk who wishes to write the world itself. Since Berk, who includes many objects in his poetry, does not concern himself with reaching a stable definition of poetry, he is known to be an inscrutable poet. In this study, the poems of İlhan Berk are examined by the critical method of the Geneva School which used the phenomenological approach as a perspective. Husserl, who aims at reaching the essence of objects, makes phenomenological reductions by placing “natural attitude” in parentheses. The essence of the objects is reached by this reduction method requiring a process. The Geneva School also determines what kind of meaning or essence the poet gives the object in his consciousness by utilizing Husserl’s approach. The multilayered meaning structure in Berk’s poems is explained by this method where objects are reduced by taking them into parentheses. Some of the layers of meaning in Berk’s poems are perceived as love, woman, sexuality, which are the immutable themes. Beyond these themes, the existential position of Berk is determined by means of recurring structures. The integrity in meaning or determinations, which the Geneva School reached by taking repetitions into consideration, reveal the position of woman and existence. At the same time when the meanings of the objects and the themes composing the integrity are considered, despite the thought that he is an original poet, Berk is seen to have a close relationship with the tradition. The structure in Berk’s poetry is where Berk is original and applies his experimentation. The result reached by this study shows that Berk’s poem, the obliqueness of which is sometimes confused with meaninglessness, is essentially composed by a stable, coherent point of view. However, Berk achieves change not by the thought system in every book and poem, but he acquires originality by the form he applies.Item Open Access Şeyhî'nin Hüsrev ü Şîrin mesnevisindeki aşk ilişkileri(Bilkent University, 2002) Çulhaoğlu, GülşenTHE RELATIONSHIPS OF LOVE IN SHEYKHI’S KHUSREW AND SHÎRÎN Şeyhî (Sheykhi)`s masterpiece which is called Hüsrev ü Şirin (Khusrew and Shîrîn) is written in the form of mesnevî (mathnawî), one of the most widely- verse used forms in Divan literature. The prototype of this work was initially written by Genceli Nizamî (Nizâmî Gandjawî) and translated by many poets living in Anatolia and Azerbaijan, thereby spreading the verbal tradition related to Ferhat ile Şirin (Farhâd wa-Shîrîn). Şeyhî`s work is recognized as the best Turkish representative of Hüsrev ü Şirin, the main theme of which is “love”. Its main subject, based on historical realities, is the love triangle among Hüsrev, Şirin and Ferhat. Compared to Nizamî, Şeyhî gives more importance to the historical facts and emphasizes Hüsrev’s efforts to gain authority more than Nizamî does. These elements save Şeyhî’s work from becoming a full, direct translation. As two individuals from a divergent social status but desiring the same object, Hüsrev and Ferhat provide us with significant guidelines in analyzing the theme of love in the course of acquiring Şirin. Hüsrev and Ferhat’s experiences while trying to win over Şirin, their object of love, carry some characteristics which will help us to make a psychoanalytical analysis. In relation to that, the mystical dimension of suffering from love and sacrifices made for it is another subject that can be analyzed. In this thesis, Şeyhî`s mesnevî Hüsrev ü Şirin is examined within the contexts of psychoanalysis and mysticism. Although love is accepted as the main theme of the work, it is ascertained as only a means to help the characters reach authority.