Browsing by Subject "Design Education"
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Item Open Access Assessing creativity in design education: Analysis of creativity factors in the first-year design studio(Elsevier, 2012-05) Demirkan, H.; Afacan, YaseminThe aim of this study is to explore creativity in design education and identify the creativity assessment indicators in the first-year design studio. A measurement tool of 41 items that consists of the artifact creativity, design elements and assembly of design elements were utilised for the assessment of 210 artifacts. Results oldie exploratory and confirmatory factor analysis indicated three main design creativity factors. The primary factor consists of the novelty and affective characteristics of artifact that are associated with its shape. The second factor has the elaboration characteristics that are integrated with its geometric and figure-ground relations and harmony of design elements. The third factor consists of rhythm, repetition, unity, order and number of design elements. (c) 2011 Elsevier Ltd. All rights reserved.Item Open Access Education in interactive media: a survey on the potentials of computers for visual literacy(Bilkent University, 1996) Güleryüz, HakanThis study aims at investigating the potentials of multimedia and computers in design. For this purpose, a general survey on the historical development of computers for their use in education and possibilities related to the use of technology in education is conducted. Based on this survey, the depictions related to the incorporation of technology in design education in particular are compiled for the purpose of producing an example of multimedia application. The application uses the actual student projects of FA101 Basic Design course offered in the Graphic Design Department curriculum of Bilkent University, Faculty of Art, Design and Architecture.Item Open Access Effects of cognitive styles on 2D drafting and design performance in digital media(Springer Netherlands, 2010) Pektas, S.T.This paper investigates the interactions between design students' cognitive styles, as measured by Riding's Cognitive Styles Analysis, and performance in 2D drafting and design tasks in digital media. An empirical research revealed that Imager students outperformed Verbalisers in both drafting and creativity scores. Wholist-Analytic cognitive style dimension was found to be independent from drafting and design performance. The study suggests that examining the cognitive styles of students in Computer Aided Design (CAD) education deserves further attention and may facilitate for improvements in learning processes. © 2008 Springer Science+Business Media B.V.Item Open Access Focus on architectural design process through learning styles(Pergamon Press, 2003-09) Demirbas, O. O.; Demirkan, H.Learning as an interactive process is an important issue in architectural design education. This study aims to focus on architectural design process through learning styles that are 'accommodating', 'diverging', 'assimilating' and 'converging' as stated in the Experiential Learning Theory of Kolb. A research was conducted to evaluate the effects of learning style preferences on the performance of design students in a design process. It was found that there were statistically significant differences between the performance scores of students having diverse learning styles at various stages of design process. Also, it was found that performance scores of all students having different learning styles had increased at the end of the design process where the progress of assimilating learners were the highest and accommodating learners the lowest.Item Open Access The (in)secure position of the design jury towards computer generated presentations(Elsevier, 2005-05) Basa, I.; Senyapili, B.The tendency towards computer aid in design presentations differs in academia than in the practicing field; practice seems to welcome computer aid in presentation, whereas in academia there seems to be a dilemma. In this study, we approach this duality based on our teaching experience within an interior architecture curriculum. First, we unfold the problematic to identify the contributing factors, then we observe the tendencies through a questionnaire with design students and interviews with design instructors, and finally we project upon our findings. We claim that the contributing factors to the problematic are: loss of author identity, problems of authenticity, and proficiency of the instructors in computers. Also we claim that although the transitional period of accommodating computer tools in design education in terms of presentation seems to be over, an adjustment period is starting anew. One of the powerful aspects of this period is not allowing hand skills to fade away.Item Open Access Inclusive design: developing students' knowledge and attitude through empathic modelling(Routledge, 2014-06-26) Altay, Burçak; Demirkan, HalimeTo enhance the function and quality of built environments, designers should consider all possible users in their design projects. Therefore, it is essential to incorporate inclusive design in the education of the design student. This study focuses on the educational objectives of and related learning activities in a course where inclusive design is one of the main subjects. Through empathic modelling, students' engagement with the course was enhanced. Within the course, students simulated disabled users while they experienced the campus environment using wheelchairs, crutches or blindfolds. Their experiences were reflected through descriptive texts and poster designs. Descriptive texts were analysed through developing themes and codes whereas posters were analysed through a content analysis method. Our findings showed that students developed their knowledge of inclusive design concerning the physical environment, the self and the social environment. They also developed immediate emotional responses and a positive attitude towards diversity and inclusion. Thus, empathic modelling supported the development of cognitive and affective learning domains of the novice designer, supporting inclusive design education.Item Open Access An inquiry into the learning-style and knowledge-building preferences of interior architecture students(Elsevier, 2016-05) Demirkan, H.This study explores the learning-style and knowledge-building preferences of interior architecture students using Felder-Soloman's Index of Learning Styles. Considering the learning and knowledge-building skills of students in design education, this study concludes that the instructor should not only be a conveyor of knowledge but also a facilitator. The findings indicate that design students' preferred learning styles are as follows, in descending order: Sensing/Intuitive, Visual/Verbal, Active/Reflective and Sequential/Global. In the two-way analysis, where the student's design studio grade was the dependent variable, significant effects were obtained for each scale. Furthermore, double interactions were highly significant between the Active/Reflective and Sensing/Intuitive scales and between the Active/Reflective and Sequential/Global scales. © 2016 Elsevier Ltd. All rights reserved.Item Open Access Progression of color decision making in introductory design education(Wiley, 2017-04) Ertez Ural, Sibel; Akbay, S.; Altay, BurçakColor comprises both subjective and objective aspects within its contextual nature. Research on color design tends to explore this seemingly contradictory concerns from theoretical point of view, as well as architectural and design practice. The aim of this study was to observe subjective, intuitive or heuristic and objective, knowledge‐based or analytical attitudes toward color in design education. In the study 84 introductory design students were surveyed progressively to understand their color decision criteria after completion of three 2‐dimensional colored exercises, specific in terms of color education. Students' responses to open‐ended questions were coded according to the 5 categories, under 2 decision making processes derived from the literature; heuristic approach: preferential and symbolic criteria, and analytic reasoning: formal, thematic, and systematic criteria. A distinction between associative and emotional aspects of symbolic criteria was also revealed by the data analysis. The findings showed a shift from heuristic responses to analytic reasoning, as expected. Additionally, it is also investigated that students not only used heuristic approaches but also analytical components (formal and systematic) of color decision making in varying degrees as well, even before any color subjects covered. Thematic color decisions became a major part of the students' design considerations upon completion of color subjects. The observed increase in the number of color criteria interrelated by the students' among almost all categories explicated a complex decision making process particularly in color design and education. These findings were expected to lead to some further understanding in color decision making in design.Item Open Access Reconciling computer and hand: The case of author identity in design presentations(2005) Şenyapılı, Burcu; Basa, İAs computers were newly emerging in the field of architectural design, it was claimed that the impact of computers would change the way architects design and present. However, within the course of computer use in design, although the field of architectural practice might have been altered extremely, in architectural education there still seems to be a bond to conventional mind-hand-paper relation. One of the reasons for that bond is the fact that although being related to many technologies, architecture essentially positions itself around an artistic core that is still fed with conventional modes of creation. Architectural education aims at adopting and working on this very core. One of the major contributors in the formation of this core is the presence of author identity. This paper makes a critical approach to computers in terms of expressing author identity in design presentations especially during design education. We believe that the author identity is important in design education in terms of identifying the potential and skills of the student. Especially in design education the final step of design process turns out to be the presentation, unlike architectural practice where the presented design is actually built. Within this conception, two different studies were held in an educational environment with 160 design students and 20 design instructors. The results of both studies pointed at the fact that the digital opportunities that exist for design education should evolve around preserving and underlining the author identity in design presentations.Item Open Access A story of interior architecture : emergence & early educational implementations in Turkey(Bilkent University, 2012) Olcay, HafsaThe emergence of interior architecture education as a discrete area of expertise in Turkey can be traced back to the establishment of interior decoration atelier in the Academy of Fine Arts, and the Department of Furniture and Interior Architecture in the State Applied Fine Arts School. This thesis explores the early processes of interior architecture education in Turkey by examining these first institutions providing education in the field. It entails historically grounded research in order to detect the issues that have come forward from its beginnings to the 1980s, when the field began to proliferate in higher educational institutions in the country. Furthermore, it analyzes how the Turkish experiences relate to the international context. This thesis contributes to the investigations on how interior architecture education emerged and developed in Turkey, and enriches our understanding of the field globally.