Department of English Language and Literature
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Browsing Department of English Language and Literature by Author "Kennedy, Valerie"
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Item Open Access Changez/Cengiz's changing beliefs in the reluctant fundamentalist(Purdue University Press, 2018) Kennedy, ValerieIn her article, “Changez/Cengiz's Changing Beliefs in The Reluctant Fundamentalist” Valerie Kennedy analyzes the interrelation of individual subjectivity and global capitalism and the conflict between two belief systems in Mohsin Hamid’s novel. These are, first, a neoliberal system that sees individuals as rationally self-interested, mobile, economic units, and, second, a system based on a humanist definition of individuals as defined by nation, family, and tradition. Changez, the novel’s protagonist, initially endorses the first, but later rejects it for the second, due to his growing awareness of the impact on Pakistan of American geopolitics after 9/11. The essay also examines the Western gaze upon the East in the novel—Changez both criticizes and, paradoxically, sometimes endorses Orientalist stereotypes—and it concludes that Changez’s later counter-capitalist beliefs seem unlikely to seriously challenge the disciplinary power of global capitalism.Item Open Access Dickens and englishness: a fundamental ambivalence(Cambridge Scholars Publishing, 2009) Kennedy, Valerie; Reviron-Piégay, F.Item Open Access Eastern exoticism: Thackeray as tourist and anti-tourist(Istanbul Universitesi, Edebiyat Fakultesi - University of Istanbul, Faculty of Letters, 2021) Kennedy, ValerieWilliam Makepeace Thackeray’s 1846 Notes on a Journey from Cornhill to Grand Cairo exemplifies the complexity of nineteenth-century travel-writing where exploration exists alongside tourism (and anti-tourism). In key Ottoman locations like Smyrna, Constantinople, and Cairo, the narrator’s desire for Oriental exoticism is sometimes realised but often disappointed as the East becomes increasingly modernised and Westernised. These conflicting perspectives are expressed through allusions, East-West comparisons, and irony and satire in a self-conscious and unstable narrative. William Makepeace Thackeray’in 1846 tarihli Notes on a Journey from Cornhill to Grand Cairo keşfin turizmle (ve turizm karşıtlığıyla) birlikte yer aldığı on dokuzuncu yüzyıl seyahat yazılarının karmaşıklığına örnek teşkil eder. İzmir, İstanbul, Kahire gibi Osmanlı şehirlerinde yazarın Doğu egzotizmi hevesi, Doğu’nun giderek modernleşmesi ve Batılılaşmasıyla ancak bazen gerçekleşmekte, fakat çoğu zaman hayal kırıklığıyla sonuçlanmaktadır. Bu çelişkili bakış açıları imalarla, Doğu-Batı karşılaştırmalarıyla, mahcup ve güvenilmez bir anlatı dâhilinde ironi ve taşlamayla aktarılır.Item Open Access In search of the "imaginative golden age in time or space"(Cambridge Scholars Publishing, 2009) Kennedy, Valerie; Sönmez, M. J. -M.; Özyurt, Mine KılıçItem Open Access Ireland in 1812 : colony or part of the imperial main? : the 'imagined community' in Maria Edgeworth's 'the absentee'(OR : Irish Academic Press, 2005) Kennedy, Valerie; McDonough, T.Item Open Access Istanbul(Palgrave Macmillan, 2016) Kennedy, Valerie; Tambling, J.Asked what he liked most about Ankara, the poet Yahya Kemal replied, ‘Returning to Istanbul.’ However unfair to Ankara, the reply conjures up Istanbul’s special place in the minds of Turks and non-Turks alike. Located in both Europe and Asia, with a current population estimated at 17 million (‘Istanbul, the Queen of Cities’ 2016), divided by the Bosphorus and the Golden Horn, Istanbul’s geographical situation suggests the brassage de peuples which has characterized the city for much of its existence. For Western travellers from at least the sixteenth century onwards, the city has symbolized, variously, aesthetics, exoticism and/or sensuality, Oriental despotism, and the seclusion of women, functioning as Europe’s ‘Other’ (Said 1995) in terms of culture, government, and religion. The European Capital of Culture in 2010, today, with Turkey’s candidature for membership of the European Union seemingly eternally deferred, and Istanbul struggling to cope with the influx of refugees from Syria, Iraq, Afghanistan, and elsewhere, the city once again symbolizes the complex relationship between East and West. Moreover, the heavy-handed government reaction to the summer 2014 Gezi Park protest against the destruction of an Istanbul city park spiralled into countrywide demonstrations against the AKP (the ruling Justice and Development Party of Turkey [conservative]) government of Recep Tayyib Erdoğan, revealing Istanbul’s position on Turkey’s political fault line, just as the 1999 Izmit earthquake reminded us of Istanbul’s geological vulnerability. (Such heavy-handedness was more than repeated in the summer of 2016.) Nowhere is the complex relationship between Istanbul and literature or Istanbul as the meeting place of East and West more clearly dramatized than in the works of Orhan Pamuk, a writer who is controversial at home while being seen as the Turkish author abroad, although there are many other significant Turkish writers.Item Open Access Orientalism(Oxford University Press, 2013) Kennedy, Valerie; John, J.Item Open Access Orientalism in the Victorian Era(Oxford University Press, 2017) Kennedy, Valerie; Rabinowitz, P.Orientalism in the Victorian era has origins in three aspects of 18th-century European and British culture: first, the fascination with The Arabian Nights (translated into French by Antoine Galland in 1704), which was one of the first works to have purveyed to Western Europe the image of the Orient as a place of wonders, wealth, mystery, intrigue, romance, and danger; second, the Romantic visions of the Orient as represented in the works of Samuel Taylor Coleridge, Percy Bysshe Shelley, George Gordon, Lord Byron, and other Romantics as well as in Thomas Moore’s Lalla Rookh; and third, the domestication of opium addiction in Thomas de Quincey’s Confessions of an English Opium Eater. Victorian Orientalism was all pervasive: it is prominent in fiction by William Thackeray, the Brontë sisters, Charles Dickens, Wilkie Collins, Joseph Conrad, and Rudyard Kipling, but is also to be found in works by Benjamin Disraeli, George Eliot, Oscar Wilde, and Robert Louis Stevenson, among others. In poetry Edward Fitzgerald’s Rubaiyat is a key text, but many works by Alfred Tennyson and Robert Browning also show the influence of Orientalist tropes and ideas. In theater it is one of the constant strands of much popular drama and other forms of popular entertainment like panoramas and pageants, while travel writing from Charles Kingsley to Richard Burton, James Anthony Froude, and Mary Kingsley shows a wide variety of types of Orientalist figures and concepts, as do many works of both popular and children’s literature. Underlying and uniting all these diverse manifestations of Victorian Orientalism is the imperialist philosophy articulated by writers as different as Thomas Carlyle, John Stuart Mill, and Karl Marx, supported by writings of anthropologists and race theorists such as James Cowles Pritchard and Robert Knox. Toward the end of the Victorian era, the image of the opium addict and the Chinese opium den in the East End of London or in the Orient itself becomes a prominent trope in fiction by Dickens, Wilde, and Kipling, and can be seen to lead to the proliferation of Oriental villains in popular fiction of the early 20th century by such writers as M. P. Shiel, Guy Boothby, and Sax Rohmer, whose Dr. Fu Manchu becomes the archetypal version of such figures.