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Now showing items 1-7 of 7
Undoing recognition : a critical approach to pose in photography
(Bilkent University, 2006)
This study aims to give an account of the act of posing in photography in terms of the
self/image relationship in order to foreground an unexplored aspect of the pose that is
its potential to question (self-)recognition ...
The dynamic interaction between advertising and popular culture : a case study on Ixir TV commercials
(Bilkent University, 2006)
In the scope of the thesis, the “advertising” concept--rather than its economic
dimension-- is taken as a matter of culture under the form of popular culture, serving
as a repository for social and cultural data. How the ...
The formation of Alevi syncretism
(Bilkent University, 2006)
The aim of this study is to explore the formation of Alevi syncretism by examining
historical facts and religious interactions. By understanding how Alevis adapted
various cultural, religious and social phenomena, and ...
Virtualization of design and production
(Bilkent University, 2006)
This study aims to make an analysis on the meaning of products with regards to
recent developments in design and production technologies. The notions of the
use, exchange and sign values of products are aimed to be ...
The pure possibility of Immanuel Kant's aesthetics
(Bilkent University, 2006)
This study aims at evaluating the aesthetic views of Immanuel Kant. The experience
of the beautiful and that of the sublime are discussed. The experience of the beautiful
is analysed with respect to the faculties of ...
From feminine writing to feminine painting
(Bilkent University, 2006)
This thesis derives form Hélène Cixous’ conception of “l’écriture féminine”. Using
this concept, art works created by Marina Abramovic and Tracey Emin were
analyzed. In relation to the concept of “l’écriture féminine”, ...
Looking through the printmaking : site specific screenprint
(Bilkent University, 2006)
The aim of this study is to explore the possibilities of how the surface of the
background affects the foreground, which is the image of my face. When viewing an
image produced by the printmaking process it can be seen ...