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Now showing items 1-5 of 5
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A case study of Hollywood to Yeşilçam crosscultural film remakes
(Bilkent University, 2018-01)This study examines a close reading of Yeşilçam films Şoförün Kızı (1965), Fıstık Gibi Maşallah (1964) and Fıstık Gibi (1970) as cross-cultural remakes of Hollywood films Sabrina (1954) and Some Like It Hot (1959). The ... -
Dystopia in contemporary post-apocalyptic films
(Bilkent University, 2019-01)As an inseparable integrated theme, dystopia is the dominant form of societies in postapocalyptic worlds. Yet, the vision of this dystopian society changes based on events of the films’ production time and it portrays ... -
Film score and contemporary nostalgia: on the collaboration between Paul Thomas Anderson and Jonny Greenwood
(Bilkent University, 2019-08)Film scores in certain contemporary films which narrate stories from different time periods display intriguing patterns in how they evoke distinct emotions and how they underscore the film’s temporal and spatial ... -
Refraction and essay film: the case of Alexander Sokurov
(Bilkent University, 2017-01)This thesis analyzes refraction in essay film. As a self-reflexive method, refraction deals with the self-critique of visual representation in essay film. In this thesis, I develop two different dimensions of post-aesthetics ... -
What do audiences think about literary adaptations: a reception study on Turkish TV series and fidelity
(Bilkent University, 2017-01)Fidelity discussion has a long history in adaptation studies and despite all negative criticism towards fidelity concern, the discussion about fidelity still remains. This thesis, with its audience based perspective, aims ...
