Doğan, Zeynep2016-01-082016-01-082008http://hdl.handle.net/11693/14793Ankara : The Department of Communication and Design and the Institute of Economics and Social Sciences of Bilkent University, 2008.Thesis (Master's) -- Bilkent University, 2008.Includes bibliographical references leaves 100-107.This study aims to demonstrate the specific narrative and representational aspects of two very-well known adaptations based on English author E. M. Forster‘s novels: A Passage to India and A Room with a View that challenge and reinterpret the motives of their source texts in conjunction with the issues and debates regarding the heritage film by displaying woman’s sexuality.ix, 107 leavesEnglishinfo:eu-repo/semantics/openAccessAdaptationHeritage cinemaGenderSexualityPR6011.O58 D64 2008Film adaptations--History and criticism.Motion pictures and literature--History and criticism.Women in motion pictures.Sex role in motion pictures.A passage to screen : adapting E M ForsterThesisBILKUTUPB110135