Yıldız, AlperenErkan, BilalYüce, Enisa BerraSeydanoğlu, ÖzgeBolat, Zeynep Sude2023-08-022023-08-022023https://hdl.handle.net/11693/112510This work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.Includes bibliographical references (page 20-21).Tarihi 4. Yüzyıla kadar dayanan vitray sanatı, cam sanatlarının alt dallarından birisidir. Temel ögelerini ışık, cam ve renklerin oluşturduğu bu sanat; 20. Yüzyıla kadar uzun bir değişim ve gelişim sürecinden geçmiştir. Vitray sanatının eski Anadolu coğrafyasından 20. Yüzyıl Türkiye’sine olan evrimi, geçmişin birikimi ve 20. Yüzyılın modern sanat akımlarıyla sentezlenmiştir. Vitray sanatının Türkiye’deki koşulları ve bu koşulların sanatçılara etkisi de bu sanatın Türkiye’deki gelişiminde büyük pay sahibidir. Diğer el sanatlarında olduğu gibi vitray sanatında da endüstriyelleşme hem sanat eserlerini hem de sanatın yakın geleceğini doğrudan ilgilendirir. Bu sebeplerden ötürü sanatçılar, sanatseverler vitrayın geleceği ve pekiştirilmesi hususunda önemli bir role sahiptir.Stained glass art, which dates back to the 4th century, is one of the sub-branches of glass art. This art, whose essential elements are composed of light, glass, and colors, has gone through a long period of process and progress until the 20th century. The evolution of stained-glass art from the Ancient Anatolian geography to 20th century Turkey has been synthesized due to the accumulation of the past and the modern art movements of the 20th century. The conditions of stained-glass art in Turkey and the effect of these conditions on the artists have a significant share in the development of this art in Turkey. As in other handicrafts, industrialization in stained glass art directly concerns both works of art and the near future of art. Because of the fact that, artists and those who loves and appreciates works of art have an essential role in the future and reinforcement of stained glass.35 pages : photographsTurkishCreative Commons Attribution-NonCommercial-ShareAlikehttp://creativecommons.org/licenses/by-nc-sa/4.0/VitrayCam SanatlarıTiffanyKurşunluRevzen-i MenkuşIşıkRenkStained GlassGlass ArtsLeadedFresco WindowLightColorStudent ProjectSPB4386