Neşe, RüyaBuldu, BatuhanSeler, Alara NilErtuğrul, ErdemFertekligil, Naz2022-03-242022-03-242021http://hdl.handle.net/11693/77900Ankara: İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2021.This work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.Includes bibliographical references (pages 15-18).Türk sinemasında Yeşilçam seks furyası 1970’lerde ekonomik sebepler ile hızlı, ucuz ve kalitesiz erotik filmlerin üretilmesi ile başlayarak 12 Eylül 1980 Darbesi sonrası filmlerin yasaklanması ile sona erdi. Bu dönemde oldukça az sayıda sanatçının katılımıyla yüksek sayılarda filmler üretildi. Bu yazıda Yeşilçam Seks Furyası dönemi, döneme ilişkin yapılan yorumlar ve eleştiriler çerçevesinden, genel sinema izleyicisi, sinema ve sanat camiası, ve dönemin sanatçıları perspektifinden incelenmiştir.A new period of Turkish cinema began in the 1970’s, referred to as the Yesilcam Sex Influx, infamous for its hastily made, cheap, and lower quality film. This period, where erotic films dominated the Turkish film market, ended with the coup of September the 12th 1980, following a series of tighter regulations and strict censorship. Despite relative lack of participation in this period of cinema by prominent members of the film industry, a vast supply of films were produced at this time. Focusing on the perspectives of witnesses, participants, and critics of this period of Turkish cinema, this paper aims to shed a light on the Yesilcam Sex Influx and the myriad comments and critiques surrounding it.18 pagesTurkishCreative Commons Attribution-NonCommercial-ShareAlikeSeks furyasıYeşilçamTürk sinemasıSeks filmleriErotik filmlerSex influxTurkish cinemaSex filmsErotic filmsStudent ProjectSPB3636