Özkan, Mehmet KaanTaçyıldız, ÖmerhanHayırlıoğlu, ÇağlaTürkeli, FatmanurAşkın, Aleyna2022-10-182022-10-182021http://hdl.handle.net/11693/110710This work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.Ankara: İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2021.The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.Includes bibliographical references (pages 15-16).12 Eylül darbesindeki Kenan Evren dönemi ve sonrasında uygulanan Turgut Özal’ın neo-liberal rejimlerinin Türk LGBTQ sanatçılarının üzerindeki etkilerini ayrı olarak inceleyen bir tarih araştırmasıdır. Araştırma, döneminde Türk toplumunun merceği altında bulunan üç ünlü LGBTQ sanatçısı olan Bülent Ersoy, Seyfi Dursunoğlu ve Zeki Müren üzerinden işlenmiştir. Bu üç sanatçının dönem ve rejimler arasında gördüğü muameleler, sanatçı ve insan olarak sahip oldukları insan hakları üzerinde durulmuştur. Son olarak da bu üç ünlünün Türk toplumunda LGBTQ temsiline yaptıkları katkıların günümüze uzayan etkilerinden bahsedilip araştırmaya son verilmiştir.This is a history research paper that separately focuses on the effects of the 80’s Coup’s Kenan Erven era and the neo-liberal regimes of Turgut Özal that came afterwards on Turkish LGBTQ artists. The research is conducted through on three main names which were under the scope of Turkish society, Bülent Ersoy, Seyfi Dursunoğlu and Zeki Müren. The research focus is the treatment these three artists got and the human rights they had both as an artist and as a human throughout the eras and regimes. To conclude, the effects these three artists had on the representation of LGBTQ in Turkish society up to today is mentioned.16 pagesTurkishCreative Commons Attribution-NonCommercial-ShareAlikeLGBTQLezbiyenGayBiseksüelTranseksüelKuirKenan EvrenTurgut ÖzalBülent ErsoySeyfi DursunoğluZeki MürenRejimMedyaLesbianBisexualTranssexualQueerRejimeMediaStudent ProjectSPB3985