Sevin, Ayda2016-01-082016-01-082007http://hdl.handle.net/11693/14620Ankara : The Department of Communication and Design and the Institute of Fine Arts of Bilkent University, 2007.Thesis (Master's) -- Bilkent University, 2007.Includes bibliographical references leaves 100-104.This thesis is an analysis of the graphic novel and its film adaptation V for Vendetta in terms of the concepts of framing and deframing. The theoretical framework is mainly derived from the reflections of Pascal Bonitzer, Gilles Deleuze, and Jacques Derrida. It is contended in this study that both the graphic novel and the film V for Vendetta are culturally deframing texts in different ways, and that they trigger the audiences’ already present reactions towards certain political frames and framings. As a result, it is argued and exemplified that both of the texts have become one single text, perceived as a “symbol of resistance” throughout the world.x, 104 leaves, illustrationsEnglishinfo:eu-repo/semantics/openAccessFramingDeframingOff-screenPoliticsAestheticsGraphic novelFilmPN6790.G74 V46 2007V for Vendetta.Comic books, strips, etc.--Great Britain.Graphic novels--Great Britain.Aesthetics.ThesisBILKUTUPB104099