Dinçer, Jankat BerlsanKurçer, KaanÖzbaş, Murat KaanKilitçi, ReyhanZengin, Cansu2021-04-202021-04-202020http://hdl.handle.net/11693/76332Ankara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2020.This work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.Includes bibliographical references (pages 14-15).Caz müziği Türkiye’ye ilk kez 1920’li yıllarda gelmiştir. Öncelikle azınlıklar ve yabancı kökenli müzisyenler tarafından yapılan caz müziği daha sonra bazı Türk müzisyenler tarafından da benimsenmiştir. Bu müzisyenlerden iki tanesi de Burhan Tonguç ve İsmet Sıral olmuştur. Burhan Tonguç ritim ve perküsyon alanında, İsmet Sıral ise saksafon ve üflemeli sazlar alanında ustalaşmıştır. Bu iki sanatçı aynı zamanda çok yakın bir dostluğa sahiptirler. İkisi de kendi alanlarında caza öncülük etmiş, Türkiye’deki birçok caz sanatçısını eğitmişlerdir. 1960’lı yılların Türk caz sanatçıları arasında neredeyse herkes tarafından tanınmalarına rağmen haklarındaki birçok kaynak günümüze ulaşamamıştır.Jazz music first arrived to Turkey in the 1920s. Although at first it was played mostly by foreigners and minorities, it was later adopted and played by many Turkish musicians as well. Two of those musicians are Burhan Tonguç and İsmet Sıral. Burhan Tonguç was an expert in rhythm and percussion, and İsmet Sıral was an expert in wind instruments and playing the saxophone. The two artists were also very close friends. Both of them were very influential on jazz music in their own fields, and both of them have trained many jazz artists in Turkey. Despite being known by almost all Turkish jazz artists in the 1960s, many sources about them have been lost and didn’t manage to survive until today.28 pagesTurkishCreative Commons Attribution-NonCommercial-ShareAlikehttp://creativecommons.org/licenses/by-nc-sa/4.0/Burhan Tonguçİsmet SıralCazTürk Caz MüziğiTürk Caz SanatçılarıJazzTurkish JazzMusicTurkish Jazz ArtistsStudent ProjectSPB3558