Yaşar, AhmetKuyucu, ÇağatayKartal, DorukanGündoğan, MertGündüz, Nur Safa2019-05-232019-05-232018http://hdl.handle.net/11693/51765Ankara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2018.This work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.Includes bibliographical references (pages 28-30).Bu makalede; politik tiyatronun sanat ile ilişkisi, politik tiyatronun manifestosunun genel hatları, Ankara Birlik Tiyatrosu‘nun bu manifestoyla olan bağı ve yürüttüğü politik sanat mücadelesi, Ankara Birlik Tiyatrosu‘nun karşılaştığı sıkıntılar ve bunlara ürettiği çözümler incelenmiştir. Bu bağlamda, politik tiyatronun bazı temel kuramcılarından örnekler verilmiştir ve akabinde Türkiye'de Ankara Birlik Tiyatrosu kurulmadan önceki dönemi politik tiyatro seyrine yer verilmiştir. Buna müteakip, Ankara Birlik Tiyatrosu‘nun kuruluşu ve kurucusu Zeki Göker‘in hayatı, Ankara Birlik Tiyatrosu‘nun oyunları ve yaşadıkları zorluklar, dönemin ve Ankara Birlik Tiyatrosu‘nun daha iyi anlaşılması adına Zeki Göker‘in eşi Gül Göker ile yapılan görüşme, dönemsel sıkıntılara farklı bir pencereden bakılması açısından tiyatro kurucularından ve oyuncusu Ender Yiğit ve Anadolu Sanat Merkezi‘nin kurucusu Ertuğrul Cerrahoğlu ile yapılan görüşme ele alınmıştır.In this article; the relation between theatre and art, the outlines of the political theatre's manifesto, the ―ABT-Ankara Birlik Tiyatrosu (Ankara Union Theatre)'s connection to this manifesto, and the political art struggle it carries out, the disturbances encountered by the Ankara Birlik Tiyatrosu and their solutions. In this context, examples are given of some of the significant theorists of political theatre, and then the previous period without ABT established in Turkey are included in the course of political theatre. Following this, establishment of this theatre and interviews with Zeki Göker's wife, Gül Göker, on behalf of Zeki Göker, the founder of the Ankara Birlik Tiyatrosu, the plays of the ABT and the difficulties they experienced and the better understanding of the era and the Ankara Birlik Tiyatrosu, the interview with Ender Yiğit, the actor and another founder of ABT, Ertuğrul Cerrahoğlu, the founder of the Anadolu Sanat Merkezi (Anatolian Art Center), was taken into consideration in order to look at the issue from a different perspective.32 pages.TurkishCreative Commons Attribution-NonCommercial-ShareAlikehttp://creativecommons.org/licenses/by-nc-sa/4.0/PolitikaTiyatroYasaklamaSahneZeki GökerPir Sultan AbdalPoliticsTheatreBanSceneEMİROĞLU HIST 200-8/8 2017-18Student ProjectSPB2814