Kahramaner, Salih EfeKuşçu, DuruÖzgöçmen, ElifÖzer, Zeynep İlaydaŞimşek, Efecan2020-12-032020-12-032020http://hdl.handle.net/11693/54671Ankara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2020.This work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.Includes bibliographical references (pages 17-18).Bu makalede kent kavramı ve kent kültür ilişkisi bağlamında kent olgusunun sinemanın gelişimindeki önemi üzerinde durulmuştur. Cumhuriyet'in ilk yıllarından günümüze kadar olan süreçte Türkiye'nin başkenti Ankara'nın sinema sektöründeki yeri diğer şehirlerle kıyaslanarak incelenmiştir. Ankara'nın Türkiye'nin diğer şehirlerine göre sinemada set olarak zamanla daha az tercih edilmesinin sebepleri ve sonuçları üzerinde durulmuştur. Ankara'da çekilen filmlerin analizleri ve bu filmlerin yönetmenleri ve yapımcıları ile yapılan görüşmeler ile Ankara'nın beyazperdede set olarak tercih edilip edilmemesinin nedenleri araştırılmıştır.In this article, the concept of city and city phenomenon in the context of the relationship between city and culture is emphasized in order to demonstrate its impact on the importance of cinema. Since the period between the first years of the Republic and the current day, Turkey's capital was examined in comparison with other cities. Compared to other cities of Turkey, the reasons and results of Ankara's being less preferred as a movie set over time are emphasized. The analysis of the films recorded in Ankara and the interviews with the directors and producers of these films are used to find the reasons whether Ankara was preferred as a movie set.34 pagesTurkishCreative Commons Attribution-NonCommercial-ShareAlikehttp://creativecommons.org/licenses/by-nc-sa/4.0/KentKültürSinema setiBaşkentSinemaAnkaraCityCultureMovie setCapital cityCinemaÖZER HIST 200-1/10 2019-20Student ProjectSPB3206